Ancient Egypt
The scale of ancient Egyptian history is overwhelming. Americans (North and South) wrestle with the consequences of five hundred years of invasion, conquest, and settlement. Europeans argue over what delineates different phases of their history (modern, the rise of the nation-state, phases of the Renaissance, medieval, post-Roman, and so on). Well, that gets you back only 1500 years. Classicists pride their discipline on another thousand years. Egyptians look on, bemused. They go back 6000 years without breathing hard. Ancient Egypt (a deep and long category, obviously) represents a civilization that still fascinates us. Think pharaohs, pyramids, mummies, hieroglyphs, the Sphinx, the Nile, "King Tut." Children and adults love such stuff. I debated with myself whether to be a purist on Ancient Egypt and end my listings with Alexander the Great's conquest and the great era of the Ptolemaic dynasty, but you would miss so much in those 275 years leading up to the pragmatic and unimaginative Romans building their empire on Egyptian grain. I wanted to include the Pharos lighthouse, Alexandria and its library, Cleopatra. So I did, and I will. This page, these offerings, like the rest of Whistlestop, will be carefully curated and vetted and supplemented as I find and list interesting items.
Caesar and Cleopatra
Caesar and Cleopatra
Caesar and Cleopatra satirizes Shakespeare’s use of history and comments wryly on the politics of Shaw’s own time, but the undertone of melancholy makes it one of his most affecting plays.
George Bernard Shaw (1856–1950) is one of the world’s greatest literary figures. Born in Dublin, Ireland, he left school at fourteen and in 1876 went to London, where he began his literary career with a series of unsuccessful novels. In 1884 he became a founder of the Fabian Society, the famous British socialist organization. After becoming a reviewer and drama critic, he published a study of the Norwegian dramatist Henrik Ibsen in 1891 and became determined to create plays as he felt Ibsen did: to shake audiences out of their moral complacency and to attack social problems. However, Shaw was an irrepressible wit, and his plays are as entertaining as they are socially provocative. Basically shy, Shaw created a public persona for himself: G.B.S., a bearded eccentric, crusading social critic, antivivisectionist, language reformer, strict vegetarian, and renowned public speaker. The author of fifty-three plays, hundreds of essays, reviews, and letters, and several books, Shaw is best known for Widowers’ Houses, Mrs. Warren’s Profession, Arms and the Man, Caesar and Cleopatra, Man and Superman, Major Barbara, Pygmalion, Heartbreak House, and Saint Joan. He was awarded the Nobel Prize in Literature in 1925.