Marianne Moore
Marianne Moore (November 15, 1887 - February 6, 1972) was one of the leading US poets of the 20th Century. She was born in Kirkwood, Missouri, but from age 8 to 28 she lived in Carlisle, Pennsylvania. She grew up here, considered Carlisle and Cumberland Valley her home place, received her early education here, and was shaped in a permanent way by her friends and mentors here. She went to Bryn Mawr College because of the talented daughters of her pastor at Second Presbyterian Church, three of four of whom went to Bryn Mawr. (Your loss, Dickinson College.) After college she received a trade education here from Carlisle Commercial College, which enabled her to get her first job at the Indian Industrial School at Carlisle Barracks. She formed the vision of becoming a writer, a poet, here, and she published her first poems while in Carlisle. She nurtured lifelong friendships here. Indeed, her distinctive poetic style was influenced by the particular style of the sermons of her pastor at church, Rev. George Norcross. She is the only Carlislilian, other than Jim Thorpe (whom she taught), as far as I know, who has appeared on a postal stamp (1990 -- Thorpe appeared in 1984).
I include associated writers here, because Marianne was a skilled and generous networker from her youth. She had a gift for friendship, a diverse range within and beyond the literary world. She had passionate interests in many things, from baseball to art, from animals to music. All her interests, sooner or later, show up in her poetry, her essays, and her wonderful letters. She drew friends into her deep regard for the world, and many of her friends held a similar conversation with the world.
American Poetry: The Twentieth Century Volume 1 Henry Adams to Dorothy Parker
American Poetry: The Twentieth Century Volume 1 Henry Adams to Dorothy Parker
In the years between the beginning of the twentieth century and the end of World War II, American poetry was transformed, producing a body of work whose influence was felt throughout the world. Now for the first time the landmark two-volume Library of America anthology of twentieth-century poetry through the post-War years restores that era in all its astonishing beauty and explosive energy.
This first volume of the set, organized chronologically by the poets’ birthdates, takes the reader from Henry Adams (1838–1918) to Dorothy Parker (1893–1967), and in the process reveals the unfolding of a true poetic renaissance. Included are generous selections from some of the century’s greatest poets: Edwin Arlington Robinson, Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, H.D., Ezra Pound, T. S. Eliot. Here they are seen as part of an age that proposed new and often contentious definitions of what American poetry could be and fresh perceptions of a society undergoing rapid and often tumultuous change.
The multifarious aesthetic influences brought to bear—Chinese and Japanese poetry, the African-American sermon, the artistic revolutions of Cubism and Dada, the cadences of jazz, the brash urgencies of vernacular speech—resulted in a poetic culture of dynamic energy and startling contrasts.
The poets of this era transformed not only style but traditional subject matter: there are poems here on a silent movie actress, a lynching, the tenements of New York, the trench warfare of World War I, the Russian Revolution, and the landscape of Mars. Here too are folk ballads on events like the assassination of McKinley and the sinking of the Titanic; popular and humorous verse by Don Marquis and Franklin P. Adams; the famous “Spectra” hoax; song lyrics by Ma Rainey, Joe Hill, and Irving Berlin; and poems by writers as unexpected as Djuna Barnes, Sherwood Anderson, John Reed, and H. P. Lovecraft. Included are some of the century’s most important poems, presented in full: Pound’s Hugh Selwyn Mauberly, Eliot’s The Waste Land, Steven’s Notes Toward a Supreme Fiction.
The collection is unprecedented in its textual and editorial authority, and includes biographical sketches of each poet and extensive notes. The editorial advisory board includes the very distinguished poets and scholars Robert Hass, John Hollander, Carolyn Kizer, Nathaniel Mackey, and Marjorie Perloff.