Robert B. Parker
Robert Brown Parker (1932-2010) was a New England soul with a Massachusetts heart and Boston blood. He had a mind patient enough to play the academic game (Colby College B.A., Boston University M.A. and Ph.D.). He taught at Northeaster University from 1971-1979, notching a full professorship in 1976. He was a Korean War veteran. His first novel was published in 1971. When he left academia for full-time writing in 1979 he had had five novels published about a private eye named Spenser.
By the time his life-long wife Joan (the model for Spenser’s love, Susan Silverman) found him dead at his writing table in 2010, he had written 39 Spenser novels, 9 novels featuring Jesse Stone (a L.A. cop who retires to a New England small town), 6 novels featuring Sunny Randall (a female private eye, ex-cop, Boston-based), and 4 Westerns about Virgil Cole and Everett Hitch. An assortment of other books, including an authorized sequel to Raymond Chandler’s The Big Sleep, rounded out his prolific career.
Parker rejuvenated the private eye literary field, one he loved and respected. He was a master of an ironic humor, economy of action, and an understated passionate drive in his protagonists. He had his literary jokes, but they were as often meant to puncture pretension as to wink at the reader.
After his death, Joan carried out Parker’s wishes (or his lack of territoriality) by arranging that his “properties” be continued by other writers who would respect the integrity of what he had created. I include those books here as well as Parker’s own addictive works.
Pale Kings and Princes [Spenser #14]
Pale Kings and Princes [Spenser #14]
“Ebullient entertainment.”—Time
A hotshot reporter is dead. He’d gone to take a look-see at “Miami North”—little Wheaton, Massachusetts—the biggest cocaine distribution center above the Mason-Dixon line.
Did the kid die for getting too close to the truth . . . or to a sweet lady with a jealous husband?
Spenser will stop at nothing to find out.
Praise for Robert B. Parker’s Spenser novels
“Like Philip Marlowe, Spenser is a man of honor in a dishonorable world. When he says he will do something, it is done. The dialogues zings, and there is plenty of action . . . but it is the moral element that sets them above most detective fiction.”—Newsweek
“Crackling dialogue, plenty of action and expert writing . . . Unexpectedly literate—[Spenser is] in many respects the very exemplar of the species.”—The New York Times
“They just don’t make private eyes tougher or funnier.”—People