The Beat Generation
Whistlestop Bookshop opened in 1985. When I think about writers or categories or particular books that have sold steadily, without flagging, for over 30 years, I think I learn about my own philosophy of bookselling, I learn about my customers over time and generations, and I learn about the literature. Sometimes it is a book (Goodnight, Moon, say, or Killer Angels), sometimes it is a category (science fiction/fantasy or nature guides), and sometimes a particular author (Kurt Vonnegut, Jane Austen). I am both surprised and pleased that the Beats have sold since the beginning and show no signs of slowing down.
The history of the Beat Generation is complex and absorbing. Think of analogies being the Transcendentalists or the Lost Generation. Briefly and unfairly summarized, think of a small group of writers from very different backgrounds meeting at Columbia University after World War Two, creating the beginnings of a network that was nurtured in New York City but soon found simultaneous developments in San Francisco and the Pacific Northwest.
The Beats recognized and valued spontaneity, non-conformity, spiritual quests outside of social structures, suspicion of materialism, the intimate conversation between music (especially jazz) and language, and a burning, sometimes self-destructive, passion for freedom.
As you can see in our offerings here, Jack Kerouac was a central figure, as were Allen Ginsberg and Lawrence Ferlinghetti. Other names are here, too -- William S. Burroughs, Jr., Gary Snyder, Kenneth Rexroth, Carolyn Cassady. I will add titles and writers as I remember the associations, and as new critical or historical evaluations are published. Enjoy what my customers have been celebrating for three decades plus now!
Little Boy
Little Boy
PUBLICATION DAY MARCH 19, 2019!
From the famed publisher and poet, author of the million-copy-selling collection A Coney Island of the Mind, his literary last will and testament — part autobiography, part summing up, part Beat-inflected torrent of language and feeling, and all magical.
In this unapologetically unclassifiable work Lawrence Ferlinghetti lets loose an exhilarating rush of language to craft what might be termed a closing statement about his highly significant and productive 99 years on this planet. The “Little Boy” of the title is Ferlinghetti himself as a child, shuffled from his overburdened mother to his French aunt to foster childhood with a rich Bronxville family. Service in World War Two (including the D-Day landing), graduate work, and a scholar gypsy’s vagabond life in Paris followed. These biographical reminiscences are interweaved with Allen Ginsberg-esque high energy bursts of raw emotion, rumination, reflection, reminiscence and prognostication on what we may face as a species on Planet Earth in the future. Little Boy is a magical font of literary lore with allusions galore, a final repository of hard-earned and durable wisdom, a compositional high wire act without a net (or all that much punctuation) and just a gas and an inspiration to read.
“Little Boy may start off sounding like a conventional memoir, but before long, Ferlinghetti reclaims his beat soul, quickens the pace, dropping punctuation like a used-up booster rocket, and off we go on the last wild, motor-mouth, book-length riff of this poet’s generation. All finger-popping readers will be gleefully swept up in this hip word-flood, this spontaneous stream—no, make that torrent of consciousness. Bravo, maestro!”
—Billy Collins
“Wonderfully effusive [and] stunningly evocative… This book is a Proustian celebration of both memory and moments that will delight readers.”
—Publishers Weekly
“Ferlinghetti has given us a uniquely revelatory book. At first his narrative was what I’d hoped it would be, and then his words turned, like lively flashing fish, into what he wanted it to be, so he could leisurely reel me in, ever so surely, to his sublime conclusion. Little Boy evoked my surprise and delight — thank you, Lawrence!
—Ann Charters, editor of The Portable Beat Reader and Kerouac: A Biography
“Publisher-poet Lawrence Ferlinghetti’s next book, due out less than a week before his 100th birthday, has been dubbed a ‘closing statement’ on an almost impossibly fecund life, and an energetic take on what the near future might hold in store for the rest of us… He was and continues to be a reticent cultural gatekeeper, an unassuming curator.”
—Lit Hub, “Most Anticipated Books of 2019”
“Ferlinghetti invokes Beckett, Joyce, Ginsberg and Proust in this ‘experimental novel’ published to coincide with his 100th birthday: a mix of autobiography, philosophy and poetry… This exuberant word storm, narrated in Ferlinghetti’s idiosyncratic ‘wide-open’ style, captures invaluable ‘crystal moments in time.”
—BBC
“One hundred years of Lawrence’s life dance and shimmer in breathtaking sentences that shine with the light of this great writer’s gorgeous imagination. Little Boy is a treasure.”
—Diane di Prima, author of Memoirs of a Beatnik
“On the eve of his 100th birthday, renowned poet Ferlinghetti delivers an enigmatic work that serves as a fitting coda to a long and productive career, even as it emphatically resists anything resembling resolution or conclusion… Forty pages in, Ferlinghetti has opened up the stream-of-consciousness throttle and dialed back the punctuation, and we find ourselves flooded with language, splashing among free-associative verse, literary references, end-times lamentations, sensual (and sexual) celebrations, political jabs… Dissonant, bewildering… beautiful.”
—Booklist
“Yet the idea of a Beat poet rhapsodizing, eulogizing or—God help us—memorizing his life as a Beat would be a defeat difficult to recover from. Don’t worry. There’s plenty of indignation, wry observation, and inevitable prognostication as Ferlinghetti looks back on his near-century on the planet to remind us to—among other matters—stop griping and play the hand we’re dealt.”
—The Millions, “Most Anticipated Books of 2019″
“It’s called fiction, but this interweave of autobiography and history, lightning-flash language and wisdom of the ages by Ferlinghetti—Beat poet extraordinaire, author of the million-copy-selling collection A Coney Island of the Mind, and owner of the bookstore City Lights, whose publication of Allen Ginsberg’s Howl caused First Amendment upheaval—is beyond easy definition. Published in time for Ferlinghetti’s one-hundredth birthday and sold by Ferlinghetti’s longtime agent, ninety-eight-year-old Sterling Lord.”
—Library Journal