The Beat Generation
Whistlestop Bookshop opened in 1985. When I think about writers or categories or particular books that have sold steadily, without flagging, for over 30 years, I think I learn about my own philosophy of bookselling, I learn about my customers over time and generations, and I learn about the literature. Sometimes it is a book (Goodnight, Moon, say, or Killer Angels), sometimes it is a category (science fiction/fantasy or nature guides), and sometimes a particular author (Kurt Vonnegut, Jane Austen). I am both surprised and pleased that the Beats have sold since the beginning and show no signs of slowing down.
The history of the Beat Generation is complex and absorbing. Think of analogies being the Transcendentalists or the Lost Generation. Briefly and unfairly summarized, think of a small group of writers from very different backgrounds meeting at Columbia University after World War Two, creating the beginnings of a network that was nurtured in New York City but soon found simultaneous developments in San Francisco and the Pacific Northwest.
The Beats recognized and valued spontaneity, non-conformity, spiritual quests outside of social structures, suspicion of materialism, the intimate conversation between music (especially jazz) and language, and a burning, sometimes self-destructive, passion for freedom.
As you can see in our offerings here, Jack Kerouac was a central figure, as were Allen Ginsberg and Lawrence Ferlinghetti. Other names are here, too -- William S. Burroughs, Jr., Gary Snyder, Kenneth Rexroth, Carolyn Cassady. I will add titles and writers as I remember the associations, and as new critical or historical evaluations are published. Enjoy what my customers have been celebrating for three decades plus now!
On the Road
On the Road
First published in 1957, this novel epitomized to the world the Beat philosophy. It chronicles a spontaneous and wandering life style founded both on jazz and drug-induced visions.
In its time Jack Kerouac’s masterpiece was the bible of the Beat Generation, the essential prose accompaniment to Allen Ginsberg’sHowl. While it stunned the public and literary establishment when it was published in 1957, it is now recognized as an American classic. With On the Road, Kerouac discovered his voice and his true subject—the search for a place as an outsider in America.
On the Road swings to the rhythms of fifties underground America, jazz, sex, generosity, chill dawns, and drugs, with Sal Paradise and his hero Dean Moriarty, traveler and mystic, the living epitome of Beat.
“Life is great, and few can put the zest and wonder and sadness and humor of it on paper more interestingly than Kerouac.”
—Luther Nichols, San Francisco Examiner
“Just as, more than any other novel of the Twenties, The Sun Also Risescame to be regarded as the testament of the Lost Generation, so it seems certain that On the Road will come to be known as that of the Beat Generation.”
—Gilbert Millstein, The New York Times
Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback
September 5th, 2017 marks the 60th anniversary of the publication of On the Road
Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition
For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin’s iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today.
On the Road
Jack Kerouac’s masterpiece of the Beat era was first published in 1957 and continues to provide a vital portrait of a generation adrift, as well as inspiration for travelers, dreamers, and artists in every generation that has followed.
The legendary 1951 scroll draft of On the Road, published word for word as Kerouac originally composed it
Though Jack Kerouac began thinking about the novel that was to become On the Road as early as 1947, it was not until three weeks in April 1951, in an apartment on West Twentieth Street in Manhattan, that he wrote the first full draft that was satisfactory to him. Typed out as one long, single-spaced paragraph on eight long sheets of tracing paper that he later taped together to form a 120 foot scroll, this document is among the most significant, celebrated, and provocative artifacts in contemporary American literary history. It represents the first full expression of Kerouac’s revolutionary aesthetic, the identifiable point at which his thematic vision and narrative voice came together in a sustained burst of creative energy. It was also part of a wider vital experimentation in the American literary, musical, and visual arts in the post-World War II period.
It was not until more than six years later, and several new drafts, that Viking published, in 1957, the novel known to us today. On the occasion of the fiftieth anniversary of On the Road, Viking will publish the 1951 scroll in a standard book format. The differences between the two versions are principally ones of significant detail and altered emphasis. The scroll is slightly longer and has a heightened linguistic virtuosity and a more sexually frenetic tone. It also uses the real names of Kerouac’s friends instead of the fictional names he later invented for them. The transcription of the scroll was done by Howard Cunnell who, along with Joshua Kupetz, George Mouratidis, and Penny Vlagopoulos, provides a critical introduction that explains the fascinating compositional and publication history of On the Road and anchors the text in its historical, political, and social context.