The Habsburg Empire
Such a complex history — and the Habsburg kings, historians, and peoples would have it no other way. One could go back to the 11th Century and Radbot of Klettgau who built the Habsburg Castle in Switzerland. The family came to rule Austria in the 13th Century; it was a duchy within the Kingdom of Germany which was rolled into the Holy Roman Empire. You see how a thousand years of histories and millions of peoples from a dozen nationalities/ethnicities/geographies are involved. What we do remember is the end: World War One and the collapse of the Austro-Hungarian Empire in the merciless maelstrom of the 20th Century.
This selection scratches the surface, of course. I am drawn to the history and literature of the Empire because it had such grand concerns (half of modern Europe) and great writers (Banffy, Zweig, Musil, Freud, among many). It also had supremely romantic figures — Empress Elisabeth of Austria, Queen of Hungary, Sissi, a Bavarian girl lifted to the heights of the imperium only to see the beginning of the end before her assassination in 1898, the longest serving Empress in Austrian history. All of History’s wheels-within-wheels seemed to operate in the Empire, all levels of art and science and literature and military tradition.
And we live with the shadows, the ruins, and the consequences of the Empire to these fraught days of the 21st Century.
The Radetzky March
The Radetzky March
Set in the declining years of the Hapsburg Empire, The Radetzky March follows the story of the Trotta family through three generations. This touching drama of parents and children encompasses both personal relationships and political structures: fathers and sons, the state and its citizens, an emperor and his subjects, men and their deeds. It thereby becomes a study of how individuals relate – or fail to relate – to the grand implacable processes of history, processes which Joseph Roth invests with humour and tragic irony.