Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
The Indian Agent
The Indian Agent
Dan O’Brien’s earlier award-winning novel The Contract Surgeon introduced readers to Valentine McGillycuddy, a friend of the great war chief Crazy Horse. Through McGillycuddy’s eyes, the novel recounts the friendship that so deeply impacted history. It also chronicles the great Sioux Wars, one of the most violent periods in this nation’s history.
The Indian Agent is the riveting sequel to The Contract Surgeon. After Crazy Horse’s death, McGillycuddy went on to become the youngest agent in history for the Red Cloud Agency, renamed the Pine Ridge Indian Reservation, of the Oglala Lakota band of the Sioux. Although Red Cloud and McGillycuddy have diametrically opposing views, they have more in common than either suspects. They both love the land, and they both love the past. The politics and the enormous tensions of the early days on the reservation come to life here in fascinating detail, as McGillycuddy (known as “the most investigated man” in the government) urges the Sioux to adopt a life of farming. Because he had lived on the vast plains with them, no white man knew better what the Sioux had given up—or understood more fully the impossibility of returning to the old life.
Full of the dynamic history of the plains, The Indian Agent is the true story of the conversion of this land from one of free nomadic people to one of settled commerce—achieved, however, at an unfathomable cost.