Albert Camus
Albert Camus (1913-1960) was a Franco-Algerian novelist, short story writer, playwright, essayist, journalist, and philosopher who was awarded the Nobel Prize for Literature in 1957, when he was 44 years old. He was the second-youngest to win the Nobel for a life-body of work, the first being Rudyard Kipling in 1907 (Kipling was 41 at the announcement). Camus and Kipling make an interesting coincidental pair, since both of their careers were engagements with colonialism, its consequences tragic or strengthening or both. Camus during his lifetime and certainly after his death was hunted by categorical thinkers to capture, cage, and display him as identified as the representative of this or that -ism. He always eludes them. He was an artist, a political man, a newsman, and a wonderfully complex human being.
I will gradually add associated writers, sometimes friends of his (Beauvoir), sometimes later writers who intertwine a work with Camus’s legacy (Daoud). His too-short life, ended by a car wreck, was in the midst of a dramatic time. I don’t think he would want to be isolated from it or his fellow travelers.
The First Man
The First Man
Camus tells the story of Jacques Cormery, a boy who lived a life much like his own. Camus summons up the sights, sounds and textures of a childhood circumscribed by poverty and a father’s death yet redeemed by the austere beauty of Algeria and the boy’s attachment to his nearly deaf-mute mother. Published thirty-five years after its discovery amid the wreckage of the car accident that killed Camus, The First Man is the brilliant consummation of the life and work of one of the 20th century’s greatest novelists. Translated from the French by David Hapgood.
"The First Man is perhaps the most honest book Camus ever wrote, and the most sensual…Camus is…writing at the depth of his powers…It is a work of genius."–The New Yorker
"Fascinating…The First Man helps put all of Camus’s work into a clearer perspective and brings into relief what separates him from the more militant literary personalities of his day…Camus’s voice has never been more personal."–New York Times Book Review