Anarchism
Anarchism and anarchists and anything associated with the thinking, the people, or the history generally get a raw deal from the media and even mainstream historians. It is true that anarchism is profoundly anti-authoritarian, but its popular association with violence (wild-eyed bearded men throwing bombs) is exaggerated, even fictionalized by the very forces threatened by it, namely governments and the media with vested interests in things as they are.
As with any subversive political and economic movement, some proponents became impatient and felt justified in striking out in vengeance or justice. Thus you have Alexander Berkman and his attempted assassination of Pennsylvanian Henry Clay Frick in 1892 and Leon Czolgosz and his successful assassination of President William McKinley in 1901. Berkman, however, served his time in jail, wrote a deep and insightful account of his experience and went on to write more worthwhile books on the subject which possessed his life. (Czolgosz did not have that opportunity, being executed forty-five days after the death of his victim.)
Anarchism survived its dramatic beginnings in the 19th Century, however, and interested readers can find its articulate concern with agricultural reform, labor rights, and prophetic worries about the growth of the surveillance state in many excellent books. Here you will find books and a superb documentary on Sacco and Vanzetti (as well as Woody Guthrie's cd of his investigation into the miscarriage of justice). Here you will find histories, biographies, anthologies, memoirs, and fiction. It is a rich tradition, relevant to this day and to the future.
Culture and Anarchy
Culture and Anarchy
Matthew Arnold's famous series of essays, which were first published in book form under the title Culture and Anarchy in 1869, debate important questions about the nature of culture and society. Arnold seeks to find out what culture really is, what good it can do, and if it is really necessary. He contrasts culture, which he calls the study of perfection, with anarchy, the mood of unrest and uncertainty that pervaded mid-Victorian England.
This edition reproduces the original book version, revealing the immediate historical context and controversy of the piece. The introduction and notes broaden out the interpretative approach to Arnold's text, elaborating on the complexities of the religious context. The book also reinforces the continued importance of Arnold's ideas its influences in the face of the challenges of multi-culturalism and post-modernism.
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