Anarchism
Anarchism and anarchists and anything associated with the thinking, the people, or the history generally get a raw deal from the media and even mainstream historians. It is true that anarchism is profoundly anti-authoritarian, but its popular association with violence (wild-eyed bearded men throwing bombs) is exaggerated, even fictionalized by the very forces threatened by it, namely governments and the media with vested interests in things as they are.
As with any subversive political and economic movement, some proponents became impatient and felt justified in striking out in vengeance or justice. Thus you have Alexander Berkman and his attempted assassination of Pennsylvanian Henry Clay Frick in 1892 and Leon Czolgosz and his successful assassination of President William McKinley in 1901. Berkman, however, served his time in jail, wrote a deep and insightful account of his experience and went on to write more worthwhile books on the subject which possessed his life. (Czolgosz did not have that opportunity, being executed forty-five days after the death of his victim.)
Anarchism survived its dramatic beginnings in the 19th Century, however, and interested readers can find its articulate concern with agricultural reform, labor rights, and prophetic worries about the growth of the surveillance state in many excellent books. Here you will find books and a superb documentary on Sacco and Vanzetti (as well as Woody Guthrie's cd of his investigation into the miscarriage of justice). Here you will find histories, biographies, anthologies, memoirs, and fiction. It is a rich tradition, relevant to this day and to the future.
The Ballerina and the Bull: Anarchist Utopias in the Age of Finance
The Ballerina and the Bull: Anarchist Utopias in the Age of Finance
Our moment has seen the resurgence of an anarchist sensibility, from the uprisings in Seattle in 1999 to the Occupy movement of 2011. Against the vacuity and drift of financialized capitalism, proclaiming “There is no Alternative,” these insurgent movements have insisted that an alternative is possible. In The Ballerina and the Bull Johanna Isaacson explores the occult history of US punk, hardcore, queercore, and riot grrrl, DIY culture, and alternative subcultures to trace a new politics of “expressive negation” that both contests the present order and gives us a sense of the impasses of politics in an age of depoliticization. “Expressive negation” registers the contradictory politics at the heart of these projects: the desire for negation that must be positively expressed. Drawing on first-hand experience, interviews, and discussion of the ludic, spatial, and sexual politics of anarchist subcultures, Isaacson maps an underground utopian politics of style and develops a radically new history of the present moment.
Praise for The Ballerina and the Bull:
“A vital testament to the fragile utopias that inhabit our precarious present…” – Benjamin Noys, author of Malign Velocities