Arkady and Boris Strugatsky
The brothers Arkady Natanovich Strugatsky (1925 –1991) and Boris Natanovich Strugatsky (1933 – 2012) were Soviet Russian writers who are inextricably linked as collaborators in some of the best and most provocative science fiction beyond US and British shores and beyond — and influenced by — Stanislaw Lem of Poland. Despite the Cold War, their books crawled to some recognition in the West in the Sixties and Seventies, often in garish DAW paperback editions. I hazard a guess that the 1979 film “Stalker,” directed by Andrei Tarkovsky with a screenplay by the brothers based loosely on Roadside Picnic, ignited a re-reading of the original brilliant novel. This naturally led to an interest in all their other writings. Their complete works in Russian run to 33 volumes. Meanwhile, here in the US, Chicago Review Press is doing a splendid job as their publisher.
Doomed City
Doomed City
The magnum opus of Russia's greatest science fiction novelists translated into English for the first time Arkady and Boris Strugatsky are widely considered the greatest of Russian science fiction masters, and their most famous work, Roadside Picnic, has enjoyed great popularity worldwide. Yet the novel they worked hardest on, that was their own favorite, and that readers worldwide have acclaimed as their magnum opus, has never before been published in English. The Doomed City was so politically risky that the Strugatsky brothers kept its existence a complete secret even from their closest friends for sixteen years after its completion in 1972. It was only published in Russia during perestroika in the late 1980s, the last of their works to see publication. It was translated into a host of European languages, and now appears in English in a major new effort by acclaimed translator Andrew Bromfield.The Doomed City is set in an experimental city whose sun gets switched on in the morning and switched off at night, bordered by an abyss on one side and an impossibly high wall on the other. Its inhabitants are people who were plucked from twentieth-century history at various times and places and left to govern themselves, advised by Mentors whose purpose seems inscrutable. Andrei Voronin, a young astronomer plucked from Leningrad in the 1950s, is a die-hard believer in the Experiment, even though his first job in the city is as a garbage collector. And as increasinbly nightmarish scenarios begin to affect the city, he rises through the political hierarchy, with devastating effect. Boris Strugatsky wrote that the task of writing The Doomed City "was genuinely delightful and fascinating work." Readers will doubtless say the same of the experience of reading it.