Arthur Conan Doyle, Creator of Sherlock Holmes
Arthur Ignatius Conan Doyle (1859-1930) was born in Edinburgh, Scotland, eventually studied medicine at the University of Edinburgh Medical School, and built his writerly ambitions there. He published his first short story when he was only 20 and still deep in his medical training. He achieved his Doctor of Medicine in 1885 and continued professional studies as he continued to write and write and write. In 1886 he sold A Study in Scarlet, featuring a detective who was based on an instructor he had in medical school. It was published a year later, and the definition of what constituted a mystery in Western fiction began to be forever changed.
Within a few years of the debut of Sherlock Holmes, Doyle was ready to kill him off and move on to his many other projects, thus betraying a pattern of never quite understanding what was best for himself as a writer. Eventually, however, Holmes and Watson were featured in 56 short stories and 4 novels. The tension between rationality and suspense, between dissection and animation, was a powerful creative drive for Doyle. Sometimes he doesn’t seem to have understood it, and sometimes it is captured perfectly, flawlessly. It has been a gift to over a century of other writers, those who work within the canon’s inspiration and those who push back in various ways.
Doyle kept writing his science fiction and his beloved historical novels as he nailed down immortality with Sherlock Holmes. We carry what we can of what is in print. He is a good writer for that bridge age between YA and adult literature, by the way. And the comfort of his storytelling style, even when one thrills to the Hound of the Baskervilles all over again, makes him a writer for all ages and tastes and backgrounds. Enjoy!
The Name of the Rose
The Name of the Rose
A spectacular best seller and now a classic, The Name of the Rose catapulted Umberto Eco, an Italian professor of semiotics turned novelist, to international prominence. An erudite murder mystery set in a fourteenth-century monastery, it is not only a gripping story but also a brilliant exploration of medieval philosophy, history, theology, and logic.
In 1327, Brother William of Baskerville is sent to investigate a wealthy Italian abbey whose monks are suspected of heresy. When his mission is overshadowed by seven bizarre deaths patterned on the book of Revelation, Brother William turns detective, following the trail of a conspiracy that brings him face-to-face with the abbey’s labyrinthine secrets, the subversive effects of laughter, and the medieval Inquisition. Caught in a power struggle between the emperor he serves and the pope who rules the Church, Brother William comes to see that what is at stake is larger than any mere political dispute–that his investigation is being blocked by those who fear imagination, curiosity, and the power of ideas.
The Name of the Rose offers the reader not only an ingeniously constructed mystery—complete with secret symbols and coded manuscripts—but also an unparalleled portrait of the medieval world on the brink of profound transformation.