Audiobooks: Fiction, Poetry, & Drama
I am a believer in the beauty and utility of audiobooks. (It helps that I drive about an hour a day.) Humans spoke and told stories before they wrote. Homer sang or chanted. Your experience of a story may be enhanced or transformed by listening to a skilled artist bring to life. I cannot imagine reading Alexander McCall Smith's wonderful No. 1 Ladies' Detective Agency novels, because the amazing Lisette Lecat, a South African actress, has given them life inside my head with her singular readings. If you love the experience of being read to, here are some of our carefully chosen titles. If you want books to be delivered in an old and an always new way, try an audiobook soon. (Success and technological parameters have driven me to divide our audiobooks into two pages. Be sure to browse our audiobook-nonfiction as well.)
The Man Who Lived Underground
The Man Who Lived Underground
“The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.” —Kiese Laymon
A major literary event: an explosive, previously unpublished novel about race and violence in America by the legendary author of Native Son and Black Boy
Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system.
This is the devastating premise of this scorching novel, a never-before-seen masterpiece by Richard Wright. Written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers, it would see publication in Wright's lifetime only in drastically condensed and truncated form, and ultimately be included in the posthumous short story collection Eight Men (1961). Now, for the first time, by special arrangement with the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.