Book awards grow like weeds, but that is not a bad thing. Acclaim (or at least recognition) is a way to find out about the notable, the rare, the special in the vast flood of books. Over the years we have discovered that some awards are more trustworthy or more relevant to our customers than others. The award winners and sometimes the nominees are featured here. A quick explanation:
the Caldecott Medal is intended for the best illustrated children’s book,
the Newbery Medal is intended for the best young adult book (flexible in definition),
the National Book Award is given by the National Book Foundation,
the National Book Critics’ Circle Award by a professional association of American book review editors and critics (originally the Algonquin Round Table),
the Edgar Award by the Mystery Writers of America,
the Hugo Award by the yearly World Science Fiction Convention (professional affiliation not required),
the Nebula by the Science Fiction Writers of America,
the Spur Award by the Western Writers of America,
the Booker Prize by a changing committee of eminent UK writers and critics,
and the Pulitzer Prize by Columbia University as endowed by newspaperman Joseph Pulitzer.
As a reminder, the Nobel Prize for Literature is for a lifetime body of work, not for a single work in a particular year, as are all the others featured here.
Directorate S: The CIA and America's Secret Wars in Afghanistan and Pakistan
Directorate S: The CIA and America's Secret Wars in Afghanistan and Pakistan
Winner of the 2018 National Book Critics Circle Award for Nonfiction
Longlisted for the 2018 National Book Award for Nonfiction
From the Pulitzer Prize-winning author of Ghost Wars, the epic and enthralling story of America’s intelligence, military, and diplomatic efforts to defeat Al Qaeda and the Taliban in Afghanistan and Pakistan since 9/11
Prior to 9/11, the United States had been carrying out small-scale covert operations in Afghanistan, ostensibly in cooperation, although often in direct opposition, with I.S.I., the Pakistani intelligence agency. While the US was trying to quell extremists, a highly secretive and compartmentalized wing of I.S.I., known as “Directorate S,” was covertly training, arming, and seeking to legitimize the Taliban, in order to enlarge Pakistan’s sphere of influence. After 9/11, when fifty-nine countries, led by the U. S., deployed troops or provided aid to Afghanistan in an effort to flush out the Taliban and Al Qaeda, the U.S. was set on an invisible slow-motion collision course with Pakistan.
Today we know that the war in Afghanistan would falter badly because of military hubris at the highest levels of the Pentagon, the drain on resources and provocation in the Muslim world caused by the U.S.-led invasion of Iraq, and corruption. But more than anything, as Coll makes painfully clear, the war in Afghanistan was doomed because of the failure of the United States to apprehend the motivations and intentions of I.S.I.’s “Directorate S”. This was a swirling and shadowy struggle of historic proportions, which endured over a decade and across both the Bush and Obama administrations, involving multiple secret intelligence agencies, a litany of incongruous strategies and tactics, and dozens of players, including some of the most prominent military and political figures. A sprawling American tragedy, the war was an open clash of arms but also a covert melee of ideas, secrets, and subterranean violence.
Coll excavates this grand battle, which took place away from the gaze of the American public. With unsurpassed expertise, original research, and attention to detail, he brings to life a narrative at once vast and intricate, local and global, propulsive and painstaking.
This is the definitive explanation of how America came to be so badly ensnared in an elaborate, factional, and seemingly interminable conflict in South Asia. Nothing less than a forensic examination of the personal and political forces that shape world history, Directorate S is a complete masterpiece of both investigative and narrative journalism.