Book awards grow like weeds, but that is not a bad thing. Acclaim (or at least recognition) is a way to find out about the notable, the rare, the special in the vast flood of books. Over the years we have discovered that some awards are more trustworthy or more relevant to our customers than others. The award winners and sometimes the nominees are featured here. A quick explanation:
the Caldecott Medal is intended for the best illustrated children’s book,
the Newbery Medal is intended for the best young adult book (flexible in definition),
the National Book Award is given by the National Book Foundation,
the National Book Critics’ Circle Award by a professional association of American book review editors and critics (originally the Algonquin Round Table),
the Edgar Award by the Mystery Writers of America,
the Hugo Award by the yearly World Science Fiction Convention (professional affiliation not required),
the Nebula by the Science Fiction Writers of America,
the Spur Award by the Western Writers of America,
the Booker Prize by a changing committee of eminent UK writers and critics,
and the Pulitzer Prize by Columbia University as endowed by newspaperman Joseph Pulitzer.
As a reminder, the Nobel Prize for Literature is for a lifetime body of work, not for a single work in a particular year, as are all the others featured here.
Flash: The Making of Weegee the Famous
Flash: The Making of Weegee the Famous
The first comprehensive biography of Weegee—photographer, “psychic,” ultimate New Yorker—from Christopher Bonanos, author of Instant: The Story of Polaroid.
Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee,” claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied.
From self-taught immigrant kid to newshound to art-world darling to latter-day caricature—moving from the dangerous streets of New York City to the celebrity culture of Los Angeles and then to Europe for a quixotic late phase of experimental photography and filmmaking—Weegee lived a life just as worthy of documentation as the scenes he captured. With Flash, we have an unprecedented and ultimately moving view of the man now regarded as an innovator and a pioneer, an artist as well as a newsman, whose photographs are among most powerful images of urban existence ever made.