Buddhism
Buddhism is the fourth-largest religion in the world going by number of adherents. It is based on the teachings of Siddhartha Gautama, a man mostly likely from the the current border between Nepal and India and most likely in the 5th Century BCE. The provisional nature of exact details is not surprising, considering the passage of time and the quick attraction of legend-making to the growth of the religion. Indeed, even the concept of “religion” is not to be attached too firmly to a philosophy that is decidedly pragmatic and unpretentious. Elaboration in literature and visual art and just about everything that Buddhists have turned their attention to is inevitable, but the core is clear. “Suffering exists; it has a cause; it has an end; and it has a cause to bring about its end. The notion of suffering is not intended to convey a negative world view, but rather, a pragmatic perspective that deals with the world as it is, and attempts to rectify it.”
The literature of Buddhism is vast, historic, diverse, and ranges from poetically direct to intricately arcane. Whistlestop Bookshop’s holdings are relatively few but have proven durably popular and useful over the years. Basic texts are important, of course. The current Dalai Lama is prolific and eloquent, as is the recently-deceased Thich Nhat Hanh. Zen Buddhism is a fascinating manifestation — I will be adding more of the titles I have as I have time. There is Buddhist poetry and Buddhist fiction, and I will be adding that as I glean it from the shelves. A good Buddhist principle is not to wait until everything is ready but to go ahead with what is at hand.
Zen in the Art of Archery
Zen in the Art of Archery
A classic work on Eastern philosophy, and a charming, deeply illuminating story of one man’s experience with Zen.
Eugen Herrigel, a German professor of Philosophy in Tokyo, took up the study of archery as a step toward an understanding of Zen Buddhism. This book is the account of the six years he spent as a student of one of Japan’s great kyudo (archery) masters, and of how he gradually overcame his initial inhibitions and began to feel his way toward new truths and ways of seeing.
“In this wonderful . . . and illuminating account . . . the Western reader will find a more familiar manner of dealing with what very often must seem to be a strange and somewhat unapproachable Eastern experience.” —from the introduction by Daisetz T. Suzuki