Dance
For many years Whistlestop Bookshop has been a strong supporter of the Central Pennsylvania Youth Ballet, from its original genius-dreamer Marcia Dale Weary to the dazzling and dynamic institution that it is today. Cumberland County is now home to several studios of dance, and we welcome and support all of them. I particularly admire dance for a counter-intuitive reality: it is a bookish art even as it abstracts beauty and grace from physics and human movement. Great writing about dance surrounded it from the beginning, great photography is drawn to it, and artwork for both adults and children celebrates it. We welcome dancers throughout the year, we welcome their brave and heroic families, and we welcome the opportunity to stock wonderful books about the art.
Basic Principles of Classical Ballet: Russian Ballet Technique
Basic Principles of Classical Ballet: Russian Ballet Technique
By Aggrippina Vaganova. Translated from the Russian By Anatole Chujoy. Although the stars of Russian ballet Anna Pavlova and Tamara Karsavina possessed a national manner of dancing, there was no truly Russian school of dancing until the 1930s. The development of this school was largely due to Mme. Vaganova (1879–1951), not only a great dancer but also the teacher of Galina Ulanova and many others and an unsurpassed theoretician.
The principles of Vaganova's system are presented in this well-known book. Mme. Vaganova's aim of creating a personal approach to the Russian dance was based on the critical assimilation of the experience of her contemporaries. Her ability to choose the best of what had been accomplished in the various ballet traditions (French, Italian, and Russian) and combine these into a unified teaching practice in itself amounted to a new school of dance. She firmly believed that the teaching process should be a planned exercise, ever changing with innovations in the dance. She sought from her pupils emotional expressiveness, strictness of form, a resolute, energetic manner of performance, and the understanding of the underlying coordination of movements.
Her book discusses all basic principles of ballet, grouping movements by fundamental types. Chapters cover battements, rotary movements of the legs, the arms, poses of the classical dance, connecting and auxiliary movements, jumps, beats, point work, and turns as well as material for a sample lesson. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. The result is a fundamental theory of dance that offers dancers, teachers, and ballet lovers information often difficult to locate in other books.
118 illustrations.