E.B. White, James Thurber, and Their World, Including Roger Angell
Elwyn Brooks White (1899-1985), forever known and loved as E.B. White, was first known and admired by me when in grade school I read Charlotte’s Web and Stuart Little. As a high schooler I was committed as a fan by his essays, especially The Second Tree from the Corner and One Man’s Meat. (Meanwhile, James Thurber, White’s friend and colleague at the New Yorker, had me laughing out loud while reading My Life and Hard Times.) At the beginning of my new-book-selling career, the book store I worked in received remaindered copies of White’s Letters, which forever elevated him as an ideal for me.
White is good company. If you know him only as a children’s book writer, read his poetry (often sidelined as “light verse”). Everyone should read some of his essays, especially a classic like “Death of a Pig.” Or dip into his letters, especially any mentioning Fred the Dachshund or any dealing with disapproving or uncomprehending adults and the serious themes of Charlotte’s Web. And you may have been intimidated by The Elements of Style, the book he took up from his old professor at Cornell University, but you would be pleasantly surprised if you read it for a refresher and for entertainment.
On this page I include James Thurber’s works, ever immortal, and White’s stepson, Roger Angell, with whom he was close and who often acted as a custodian of White’s posthumous fame and legacy.
The World She Edited: Katharine S. White at The New Yorker
The World She Edited: Katharine S. White at The New Yorker
A lively and intimate biography of trailblazing and era-defining New Yorker editor Katharine S. White, who helped build the magazine’s prestigious legacy and transform the 20th century literary landscape for women.
In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker’s midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse.
This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words.
White’s biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker—Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer’s work but also their life.
Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor—through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White—and reveals how she transformed our understanding of literary culture and community.