Georges Simenon
Georges Joseph Christian Simenon (1903-1989) was a Belgian writer who wrote in French. He was extraordinarily prolific, publishing over 500 novels and numerous shorter works. He is best known and mostly represented here by his novels featuring the detective Jules Maigret.
Between 1931 and 1972, Simenon published 75 novels and 28 short stories featuring Commissaire Maigret. In doing so he created one of the great detective personas, worthy of Sherlock Holmes, Hercule Poirot and Jane Marple, Sam Spade and Philip Marlowe and Travis McGee. Compared to such colleagues, Maigret is almost nondescript — he is gruff, patient, scrupulously fair, quiet, persistent, thoughtful, non-demonstrative. He has no real eccentricities, no flourishes, no quirks, no attitude other than determining what happened and who was responsible. And yet, his world and his existence in it is compelling, even addictive. Whatever issues his creator may have had with truth and good behavior, Maigret is dedicated to them in all their relative messy relationships with people and their stories and their lives.
The books do not have to be read in any particular order. Once you sample one, however, and want to try some more (inevitably), you may want to read a stretch of them in the order in which they were written. Sometimes the only clues to the passing of time in our “real” world are the technological changes mentioned in the novels. Maigret — ageless, steadfast — remains the same.
Maigret and the Good People of Montparnasse
Maigret and the Good People of Montparnasse
"One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." --The GuardianWhen he is tasked with solving a seemingly motiveless murder, Inspector Maigret must rely on his famous intuition to discover the truth
A retired manufacturer is found murdered with his own pistol in his favorite armchair, shattering the tranquility of a quiet Paris community. The neighbors describe the Josselin household as a bastion of bourgeois compatibility, and Inspector Maigret is stymied by the absence of motive and by the reticence of the bereaved wife. It is not until a chance witness recalls an odd encounter between the deceased and a man in a bistro that the veil of propriety protecting the killer begins to dissolve.
Maigret suspects that he's not being given all the facts in this case as he is drawn deeper into the complex web of family dramas and lies at the heart of it. In Maigret and the Good People of Montparnasse, he must rely on his famous intuition above all to uncover the shocking truth.