HUNTER S. THOMPSON & NEW JOURNALISM
Hunter Stockton Thompson (July 18, 1937 – February 20, 2005), Kentucky-born, Air Force veteran, dedicated to journalism early on, was a storyteller who incorporated anthropological approaches to his journalistic fieldwork. He perceived the truth that a story about others depended on the self at the desk writing the story. How much, how honestly, and how overtly that self is recognized in the story is critical, Thompson felt, and he wasn’t shy about saying so. He is the founder of New Journalism, what he called “gonzo journalism,” which is an ongoing experiment in narrative in which the writer is a central character and thereby a participant in what is related or described.
Thompson’s influence is staggering to this day. Not only the obvious comrades in the field — Jimmy Breslin, Truman Capote, Joan Didion, David Halberstam, Pete Hamill, Norman Mailer, Joe McGinniss, George Plimpton, Rex Reed, Mike Royko, Terry Southern, Gail Sheehy, Gay Talese, Dan Wakefield, and Tom Wolfe — but fiction writers, too, paid attention to the possibilites of what Thompson articulated.
Thompson is an essential American moral voice in its literature, a description that would probably make him laugh, but consider the evaluation an Air Force officer wrote in giving Thompson his honorable discharge: "In summary, this airman, although talented, will not be guided by policy. Sometimes his rebel and superior attitude seems to rub off on other airmen staff members.” Classic description of the role of the writer in American literature.
In developing this page, associated New Journalism writers will be added, both those contemporary to Thompson and those who operate in his legacy.
Freak Kingdom: Hunter S. Thompson's Manic Ten-Year Crusade Against American Fascism
Freak Kingdom: Hunter S. Thompson's Manic Ten-Year Crusade Against American Fascism
The story of Hunter S. Thompson’s crusade against Richard Nixon and the threat of fascism in America–and the devastating price he paid for it
Hunter S. Thompson is often misremembered as a wise-cracking, drug-addled cartoon character. This book reclaims him for what he truly was: a fearless opponent of corruption and fascism, one who sacrificed his future well-being to fight against it, rewriting the rules of journalism and political satire in the process. This skillfully told and dramatic story shows how Thompson saw through Richard Nixon’s treacherous populism and embarked on a life-defining campaign to stop it. In his fevered effort to expose institutional injustice, Thompson pushed himself far beyond his natural limits, sustained by drugs, mania, and little else. For ten years, he cast aside his old ambitions, troubled his family, and likely hastened his own decline, along the way producing some of the best political writing in our history.
This timely biography recalls a period of anger and derangement in American politics, and one writer with the guts to tell the truth.