HUNTER S. THOMPSON & NEW JOURNALISM
Hunter Stockton Thompson (July 18, 1937 – February 20, 2005), Kentucky-born, Air Force veteran, dedicated to journalism early on, was a storyteller who incorporated anthropological approaches to his journalistic fieldwork. He perceived the truth that a story about others depended on the self at the desk writing the story. How much, how honestly, and how overtly that self is recognized in the story is critical, Thompson felt, and he wasn’t shy about saying so. He is the founder of New Journalism, what he called “gonzo journalism,” which is an ongoing experiment in narrative in which the writer is a central character and thereby a participant in what is related or described.
Thompson’s influence is staggering to this day. Not only the obvious comrades in the field — Jimmy Breslin, Truman Capote, Joan Didion, David Halberstam, Pete Hamill, Norman Mailer, Joe McGinniss, George Plimpton, Rex Reed, Mike Royko, Terry Southern, Gail Sheehy, Gay Talese, Dan Wakefield, and Tom Wolfe — but fiction writers, too, paid attention to the possibilites of what Thompson articulated.
Thompson is an essential American moral voice in its literature, a description that would probably make him laugh, but consider the evaluation an Air Force officer wrote in giving Thompson his honorable discharge: "In summary, this airman, although talented, will not be guided by policy. Sometimes his rebel and superior attitude seems to rub off on other airmen staff members.” Classic description of the role of the writer in American literature.
In developing this page, associated New Journalism writers will be added, both those contemporary to Thompson and those who operate in his legacy.
Hell's Angels [Modern Library edition]
Hell's Angels [Modern Library edition]
Gonzo journalist and literary roustabout Hunter S. Thompson flies with the angels—Hell’s Angels, that is—in this short work of nonfiction.
“California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur. . . The Menace is loose again.”
Thus begins Hunter S. Thompson’s vivid account of his experiences with California’s most notorious motorcycle gang, the Hell’s Angels. In the mid-1960s, Thompson spent almost two years living with the controversial Angels, cycling up and down the coast, reveling in the anarchic spirit of their clan, and, as befits their name, raising hell. His book successfully captures a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying and horrifying America. Thompson, the creator of Gonzo journalism, writes with his usual bravado, energy, and brutal honesty, and with a nuanced and incisive eye; as The New Yorker pointed out, “For all its uninhibited and sardonic humor, Thompson’s book is a thoughtful piece of work.” As illuminating now as when originally published in 1967, Hell’s Angels is a gripping portrait, and the best account we have of the truth behind an American legend.