HUNTER S. THOMPSON & NEW JOURNALISM
Hunter Stockton Thompson (July 18, 1937 – February 20, 2005), Kentucky-born, Air Force veteran, dedicated to journalism early on, was a storyteller who incorporated anthropological approaches to his journalistic fieldwork. He perceived the truth that a story about others depended on the self at the desk writing the story. How much, how honestly, and how overtly that self is recognized in the story is critical, Thompson felt, and he wasn’t shy about saying so. He is the founder of New Journalism, what he called “gonzo journalism,” which is an ongoing experiment in narrative in which the writer is a central character and thereby a participant in what is related or described.
Thompson’s influence is staggering to this day. Not only the obvious comrades in the field — Jimmy Breslin, Truman Capote, Joan Didion, David Halberstam, Pete Hamill, Norman Mailer, Joe McGinniss, George Plimpton, Rex Reed, Mike Royko, Terry Southern, Gail Sheehy, Gay Talese, Dan Wakefield, and Tom Wolfe — but fiction writers, too, paid attention to the possibilites of what Thompson articulated.
Thompson is an essential American moral voice in its literature, a description that would probably make him laugh, but consider the evaluation an Air Force officer wrote in giving Thompson his honorable discharge: "In summary, this airman, although talented, will not be guided by policy. Sometimes his rebel and superior attitude seems to rub off on other airmen staff members.” Classic description of the role of the writer in American literature.
In developing this page, associated New Journalism writers will be added, both those contemporary to Thompson and those who operate in his legacy.
The Proud Highway: Saga of a Desperate Southern Gentleman 1955 - 1967 [The Gonzo Letters Volume I]
The Proud Highway: Saga of a Desperate Southern Gentleman 1955 - 1967 [The Gonzo Letters Volume I]
Here, for the first time, is the private and most intimate correspondence of one of America’s most influential and incisive journalists–Hunter S. Thompson. In letters to a Who’s Who of luminaries from Norman Mailer to Charles Kuralt, Tom Wolfe to Lyndon Johnson, William Styron to Joan Baez–not to mention his mother, the NRA, and a chain of newspaper editors–Thompson vividly catches the tenor of the times in 1960s America and channels it all through his own razor-sharp perspective. Passionate in their admiration, merciless in their scorn, and never anything less than fascinating, the dispatches of The Proud Highway offer an unprecedented and penetrating gaze into the evolution of the most outrageous raconteur/provocateur ever to assault a typewriter.