JOHN D. MacDONALD
John Dann MacDonald (born 1918 in Sharon, Pennsylvania - 1986) was one of the 20th Century’s most successful popular authors. Almost 30 when he sold his first short story, he made up for lost time with hundreds of short stories under a variety of names and went on to write 78 books which sold over 70 million copies by one estimate. After that notable birth in our state, he grew up in Utica, New York, attended the Wharton School at the University of Pennsylvania, quit during his sophomore year, went to Syracuse University, graduated in 1938 (meeting his wife-to-be), and went on to an MBA at Harvard University, ‘39. The Second World War intervened in what could have been a great business career. He entered as a lieutenant, worked for the OSS in the China-Burma-India Theater of Operations, and was discharged as a lieutenant colonel in September 1945.
In 1949 he moved his family to Florida, eventually finding Sarasota to be home, and there the writing legend began. After an insanely obsessed stint at breaking into the pulp magazines (which were dying in the postwar years), his first novel, the excellent The Brass Cupcake, was published in 1951. His first Travis McGee mystery, a series that made his name golden and international, was The Deep Blue Good-by, published in 1964. Twenty-one novels make up the series, ending with The Lonely Silver Rain in 1985. They are listed here in alphabetical order by title, but the order in which they were written, which is useful, is appended below. On this page, after the McGee novels, those stand-alone titles still in print are listed.
As popular as he was and remains, MacDonald was also a writer’s writer, acclaimed and claimed as influential by scores of later writers from Kurt Vonnegut to Stephen King, from Carl Hiaasen to Dean Koontz. In his novels the cost is always counted, the right thing to do is the hard thing to do, and people in pain call out for justice and sometimes, always at cost, find it.
(1964) The Deep Blue Good-by
(1964) Nightmare in Pink
(1964) A Purple Place for Dying
(1964) The Quick Red Fox
(1965) A Deadly Shade of Gold
(1965) Bright Orange for the Shroud
(1966) Darker than Amber
(1966) One Fearful Yellow Eye
(1968) Pale Gray for Guilt
(1968) The Girl in the Plain Brown Wrapper
(1969) Dress Her in Indigo
(1970) The Long Lavender Look
(1971) A Tan and Sandy Silence
(1973) The Scarlet Ruse
(1973) The Turquoise Lament
(1975) The Dreadful Lemon Sky
(1978) The Empty Copper Sea
(1979) The Green Ripper
(1981) Free Fall in Crimson
(1982) Cinnamon Skin
(1985) The Lonely Silver Rain
Condominium
Condominium
A “first-rate entertainment” (New York Daily News), Condominium is a panoramic novel from a master of suspense that follows the disappearance of an American paradise, the corrupt souls willing to sell out to make a buck, the innocent masses caught in their wake—and the perfect storm that washes everything away.
Introduction by Dean Koontz
Welcome to Florida’s Golden Sands, the dream condominium complex built on a weak foundation and a thousand dirty secrets. The real estate was a steal—literally. The maintenance charges run high as the locals are run out. It’s the home of shortcuts, crackdowns, breakups, oversights, and payoffs.
Add it all up, and the new coastline community doesn’t stand a chance against the ever-present specter of disaster: the dreaded hurricane. The big one is coming. Golden Sands is right in its path. And only a few brave souls have the power to stop this towering eyesore from going underwater for good.
Praise for John D. MacDonald and Condominium
“Most readers loved John D. MacDonald’s work because he told a rip-roaring yarn. I loved it because he was the first modern writer to nail Florida dead-center, to capture all its languid sleaze, racy sense of promise, and breath-grabbing beauty.”—Carl Hiaasen
“A narrative of wracking suspense that mounts to a devastating climax.”—Cosmopolitan
“John D. MacDonald created a staggering quantity of wonderful books, each rich with characterization, suspense, and an almost intoxicating sense of place.”—Jonathan Kellerman