Kurt Vonnegut
Kurt Vonnegut (1922-2007), whose critical and world-changing experience occured during World War II in the fire-bombing of Dresden, was a comprehensive chronicler of the United States of America from that famously (or notoriously) balanced midwestern perspective. Vonnegut was born and raised in Indianapolis, Indiana. He went to Cornell University for a time, became an editor on the Cornell Daily Sun, but left his formal education to join the Army during WWII. He was captured and made a prisoner of war during the Battle of the Bulge. He miraculously survived (he would have objected to the adverb) the bombing of Dresden, an event conveyed in his most famous novel, Slaughterhouse-Five, or the Children’s Crusade (1969).
He began writing with a purpose after the war, beginning in the poor-cousin field of science fiction, which had the freedom and critical distance that suited him, the marginalized outsider elevation to toss his satirical stones at the glass hothouse of postwar America. He won awards, he gained mainstream notice, but it took the Vietnam War and the embrace of a protest counterculture to make this outsider secure finanacially and artistically. He was a strong and unapologetic heart-of-the-country voice, a 20th Century Mark Twain without the fits of nostalgia. He thrived on irony and the acrid whiff of despair, but he was stubborn about the critical voice. He never gave up on it, no matter how clearly and devastingly he wrote that nothing was worth saving.
When he died in 2007, Lev Grossman in Time magazine summed up what was beginning to dawn upon us all:
“Vonnegut's sincerity, his willingness to scoff at received wisdom, is such that reading his work for the first time gives one the sense that everything else is rank hypocrisy. His opinion of human nature was low, and that low opinion applied to his heroes and his villains alike – he was endlessly disappointed in humanity and in himself, and he expressed that disappointment in a mixture of tar-black humor and deep despair. He could easily have become a crank, but he was too smart; he could have become a cynic, but there was something tender in his nature that he could never quite suppress; he could have become a bore, but even at his most despairing he had an endless willingness to entertain his readers: with drawings, jokes, sex, bizarre plot twists, science fiction, whatever it took.” (Time, April 12, 2007)
Wampeters, Foma, & Granfalloons
Wampeters, Foma, & Granfalloons
Wampeters, Foma & Granfalloons is a rare opportunity to experience Kurt Vonnegut speaking in his own voice about his own life, his views of the world, his writing, and the writing of others. An indignant, outrageous, witty, deeply felt collection of reviews, essays, and speeches, this is a window not only into Vonnegut’s mind but also into his heart.
“A book filled with madness and truth and absurdity and self-revelation . . . [Vonnegut is] a great cosmic comedian and rattler of human skeletons, an idealist disguised as a pessimist.”—St. Louis Post-Dispatch
Includes the following essays, speeches, and works:
“Science Fiction”
“Brief Encounters on the Inland Waterway”
“Hello, Star Vega”
“Teaching the Unteachable”
“Yes, We Have No Nirvanas”
“Fortitude”
“‘There’s a Maniac Loose Out There’”
“Excelsior! We’re Going to the Moon! Excelsior!”
“Address to the American Physical Society”
“Good Missiles, Good Manners, Good Night”
“Why They Read Hesse”
“Oversexed in Indianapolis”
“The Mysterious Madame Blavatsky”
“Biafra: A People Betrayed”
“Address to Graduating Class at Bennington College, 1970”
“Torture and Blubber”
“Address to the National Institute of Arts and Letters, 1971”
“Reflections on my Own Death”
“In a Manner that Must Shame God Himself”
“Thinking Unthinkable, Speaking Unspeakable”
“Address at Rededication of Wheaton College Library, 1973”
“Invite Rita Rait to America!”
“Address to P.E.N. Conference in Stockholm, 1973”
“A Political Disease”
“Playboy Interview”