Loren Eiseley
“I am midde-aged now, but in the autumn I always seek for it again hopefully,” begins the final essay, entitled “The Secret of Life,” in Loren Eiseley’s book of essays, The Immense Journey (1957). It is a great essay in a lifetime of great essays by one of the greatest naturalist-writers in American literature. It is characteristic that he wrote the essay claiming middle-age before he was 50, but then he may have had Dante’s beginning of the Inferno in mind — “Nel mezzo del cammin di nostra vita / mi ritrovai per una selva oscura, / che la diritta via era smarrita” [Midway in the journey of our life / I came to myself in a dark wood, / for the straight way was lost.”] If any writer would be mindful of passing time and be a good guide for the reader in traversing a dark wood, Loren Eiseley (1907-1977) would be the man.
Eiseley was born in Lincoln, Nebraska, and eventually graduated from the University of Nebraska there with a B.A. in English and a B.S. in Geology/Anthropology. While recovering from tuberculosis in mid-college, he rode the rails in the Depression, gathering experiences that would unexpectedly enter his writing about nature and time and humanity’s frail existence. He acquired a Ph.D. from the University of Pennsylvania and eventually returned there to head its Anthropology Department.
Eiseley’s essays are haunted by his perspective of the Other. Through temperment and training he acquired a distance from humanity, sometimes as close as the Neanderthal, sometimes as distant as a fox, often even further back in time. He walked the narrow ridge between a nonverbal lyrical approach to the universe and a scientifically honed analytical approach to the universe — and he would be the first to say it was all the same universe, not at all affected by a primate’s attempt to define it. He is one of a distinguished line of naturalist-philosophers that have arisen in modern times, among them Henry David Thoreau, Jean-Henri Fabre, Aldo Leopold, Edward Abbey, Rachel Carson, Annie Dillard, and other distinguished company.
A Voyage to Arcturus [afterword by Loren Eiseley]
A Voyage to Arcturus [afterword by Loren Eiseley]
A stunning achievement in speculative fiction, A Voyage to Arcturus has inspired, enchanted, and unsettled readers for decades. It is simultaneously an epic quest across one of the most unusual and brilliantly depicted alien worlds ever conceived, a profoundly moving journey of discovery into the metaphysical heart of the universe, and a shockingly intimate excursion into what makes us human and unique.
After a strange interstellar journey, Maskull, a man from Earth, awakens alone in a desert on the planet Tormance, seared by the suns of the binary star Arcturus. As he journeys northward, guided by a drumbeat, he encounters a world and its inhabitants like no other, where gender is a victory won at dear cost; where landscape and emotion are drawn into an accursed dance; where heroes are killed, reborn, and renamed; and where the cosmological lures of Shaping, who may be God, torment Maskull in his astonishing pilgrimage. At the end of his arduous and increasingly mystical quest waits a dark secret and an unforgettable revelation.
A Voyage to Arcturus was the first novel by writer David Lindsay (1878–1945), and it remains one of the most revered classics of science fiction. This commemorative edition features an introduction by noted scholar and writer of speculative fiction John Clute and a famous essay by Loren Eiseley.