Howard Phillips Lovecraft (1890-1937) and Robert E. Howard (1906-1936) are two pillars in the New World Gothic castle of fantastic fiction. They are especially interesting in their surprising aspects. They both died young, they both lived sheltered and geographically-constricted lives, they both absorbed influences from wide and deep sources which they then used to create wonderfully complex and vast universes that they have shared with writers long after their passing, and they both lived for sharing their creative energies with other writers through letters and encouraging words, including each other.
Lovecraft the New Englander drew from Poe, Machen, and Dunsany to fashion the crucible from which his Cthulhu Mythos emerged, the indifferent and destructive universe of what humans would call monsters from beyond space and time. He was a master at delineating the gulf between what terrible fate was suggested and why it could not be described in all its horror.
Robert E. Howard the Texan connected to semi-mythic history and the existential journey of one determined man through all the dangers of men and beasts. He is the father of an American sword and sorcery, a juxtaposition of power that seems illogical but also somehow inevitable, almost an allegory of the wars of the 20th Century -- what you cannot see may kill you from afar, and what you can see may kill you up close. The survivor must be ready and skilled and wary at all times.
The legacies of these two writers last and grow to this day in literature, art, and film, even language. We stock their writings and associated contemporary writers as well as some of the more interesting and provocative writers working with the generous heritage that Lovecraft and Howard bequeathed to an increasingly uneasy world.
Lovecraft Country
Lovecraft Country
The critically acclaimed cult novelist makes visceral the terrors of life in Jim Crow America and its lingering effects in this brilliant and wondrous work of the imagination that melds historical fiction, pulp noir, and Lovecraftian horror and fantasy.
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned one of Atticus’s ancestors—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn—led by Samuel Braithwhite and his son Caleb—which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his—and the whole Turner clan’s—destruction.
A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism—the terrifying specter that continues to haunt us today.
Matt Ruff is the author of The Mirage, Bad Monkeys, Set This House in Order, Fool on the Hill, and Sewer, Gas & Electric. He lives in Seattle.