Neil Gaiman
Neil Gaiman (1960 - ) is a wonder of the literary world. He is a breaker of categories, because his writing is respectful of the possible audience, whether that audience is 8 or 18 or 48 or 98, male or female or somewhere in-between, die-hard fantasy reader or Common Reader or suspicious of words on a page, human or alien or somewhere in-between.
Gaiman is profoundly interested in myth and fairy tales, archetypes and companions of the id, the vast range of fantastic literature (folktales to ghost stories to pulp thumpers). He can be funny or precisely delicate or heart-wrenching or sly or terrifying to such an extent that there is no place to hide from the monsters. He has worked in graphic literature (the Sandman series), children's books, young adult fiction, fantasy, film, and the art of the audiobook. I mention the audio in particular because he often reads his own works, and once you hear him you are amazed that such an acting ability is from the same writer.
The Sandman: Overture
The Sandman: Overture
THE SANDMAN: OVERTURE heralds New York Times best-selling writer Neil Gaiman’s return to the art form that made him famous, ably abetted by artistic luminary JH Williams III (BATWOMAN, PROMETHEA), whose lush, widescreen images provide an epic scope to The Sandman’s origin story. From the birth of a galaxy to the moment that Morpheus is captured, THE SANDMAN: OVERTURE will feature cameo appearances by fan-favorite characters such as The Corinthian, Merv Pumpkinhead and, of course, the Dream King’s siblings: Death, Desire, Despair, Delirium, Destruction and Destiny.
“People have often asked me what happened to Morpheus to make it possible for him to be captured in THE SANDMAN #1,” Gaiman said. “And now they get to find out. And finding out, they get to learn secrets of the Endless that I’ve kept to myself for 25 years. Family secrets. And I should warn you: one of the Endless dies on page five.”