Stephen King
Stephen King (September 21, 1947 - ) is an American novelist, short story writer, essayist, memoirist, graphic literature writer, and singular force to be reckoned with in publishing, book selling, and popular entertainment. He is the author of 61 novels (at the present moment) and over 200 short stories. His range of style and subject is underrated by assumptions of reviewers and readers who prefer (or abhor) one “Stephen King” over another “Stephen King.” I would suggest that there are few writers, no matter what pretensions they or their readers have, who have provided a more comprehensive analysis of post-WWII America into the 21st Century. King pursues relentlessly our fears, our paranoias, our comforts, our dreams, our nightmares, our obsessions, our moments of grace. He is breathtakingly familiar with our materialistic dependencies, sometimes to a satirical extent, sometimes as a secular hymn to his love of American culture. Always, however, King is curious about people, the everyday remarkable and interesting people who live in his and our world. He sees how they act, imagines what they think, deduces what they believe — and then he tests them. And us.
I remember seeing the all-black-but-one-red-blood-drop cover of ‘Salem’s Lot in a book kiosk in Dulles International Airport when I was a kid. That hooked me. It is still one of the scariest books I know. As a bookseller I have sold King for 40 years as of 2022. He never gets old. Enjoy — if you dare.
The Institute
The Institute
From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters.
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”
In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.
As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.