Octavia Butler
Octavia Butler (1947-2006) was born and raised in Pasedena, California, and attended Pasedena City College. She received a Remington typewriter at age 10. Despite many discouragments and battles with self-doubt, Butler never looked back, a dedicated writer the rest of her too-brief life. I remember Harlan Ellison writing about her in the late 70s, soon after she had him as a teacher in a writer’s workshop. In 1984 I read her short story “Bloodchild” in The Magazine of Fantasy & Science Fiction, and like the rest of the science fiction world, I was rocked. She captured the strangeness and the drama of a radical new perspective on humanity that binded together Cordwainer Smith and Ursula K. Le Guin and James Tiptree, Jr. and Michael Bishop. It signaled that the science fiction would not be the same from then on.
In 1995 Butler was the first science fiction writer to receive a MacArthur “genius” fellowship, bookending this exciting news with The Parable of the Sower (1993) beforehand and The Parable of the Talents (1998) afterwards. She eventually moved to Washington state, struggling with high blood pressure and her own pressure on her work. Her influence on the next generation of writers was already being discerned when she died of a stroke at 58. Fifteen years and counting afterwards, the appreciation of what she did and what it meant for writers and readers grows year to year. The Library of America published its first volume of her work in January 2021, and a few months later NASA named the landing site of the Mars explorer Perseverance after her (a wonderfully appropriate connection).
Kindred
Kindred
The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now.
Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.