Philip Roth
Philip Roth (March 19, 1933 - May 22, 2018), born in and lastingly attached to Newark, New Jersy, was one of America’s premier writers of the 20th and the early 21st Centuries. He wrote some short stories, some autobiographical pieces, some essays, and he was generous with introductions and prefaces of other writers’ works. Roth’s towering legacy, his irrepressible creative fountain, however, was the novel. His works garnered an astonishing number and variety of awards, including National Book Awards, Critic’s Circle Awards, PEN/Faulkner Awards, and the Pulitzer Prize. He had lifetime achievement awards from the US and other countries. Famously or notoriously, he was considered universally the missing man on the list of Nobel Prizes for Literature.
It is important that the reader not read one or two Roth books and draw conclusions about Roth personally or professionally. He himself regretted beginning his career with Portnoy’s Complaint as his first novel. Over his career, his range is astonishing, from wicked humor to perceptive satire to serious analyses of the American heart and soul to Kafkaesque dismantling of reality to heartfelt explorations of love and loss. He could do anything with his talent, and he did.
Novels 1967-1972
Novels 1967-1972
n this, the second volume of The Library of America’s definitive edition of the collected works of Philip Roth, published by special arrangement with the author, the range and inventiveness of Roth’s fiction is dazzlingly displayed in four extraordinarily diverse works.
When She Was Good (1967) is the trenchant portrait of Lucy Nelson, a young midwestern woman whose perception of her own suffering turns her into a ferocious force, “enemy-ridden and unforgivingly defiant,” as Roth would later describe her. A small-town 1940s America of restrictive social pressures and foreclosed opportunities provides the novel’s background.
The publication of the hilarious Portnoy’s Complaint (1969) was a cultural event that turned Roth into a reluctant celebrity. The confession of a bewildered psychoanalytic patient thrust through life by his unappeasable sexuality yet held back by the iron grip of his unforgettable childhood, Portnoy unleashed Roth’s comic virtuosity and opened new avenues for American fiction.
In Our Gang (1971), described by Anthony Burgess as a “brilliant satire in the real Swift tradition,” Roth effects a savage takedown of the administration of Richard Nixon (who figures here as Trick E. Dixon). Written before the revelations of the Watergate scandal, Our Gang continues to resonate as a broad and outraged response to the clownish hypocrisy and moral theatrics of the American political scene.
The Kafkaesque excursion The Breast (1972) introduces David Kepesh in the first volume of a trilogy that continues with The Professor of Desire (1977) and The Dying Animal (2001). The Breast prompted Cynthia Ozick to remark, “One knows when one is reading something that will permanently enter the culture.”
Ross Miller, editor, is Professor of English and Comparative Literature at the University of Connecticut and has taught at Yale, Wesleyan, and Trinity College. His criticism has appeared in scholarly journals, The Wall Street Journal, The Washington Post, and the Los Angeles Times. He is the author of American Apocalypse: The Great Fire and the Myth of Chicago and Here’s the Deal: The Buying and Selling of a Great American City.
This Library of America series edition is printed on acid-free paper and features Smyth-sewn binding, a full cloth cover, and a ribbon marker.