Philip Roth
Philip Roth (March 19, 1933 - May 22, 2018), born in and lastingly attached to Newark, New Jersy, was one of America’s premier writers of the 20th and the early 21st Centuries. He wrote some short stories, some autobiographical pieces, some essays, and he was generous with introductions and prefaces of other writers’ works. Roth’s towering legacy, his irrepressible creative fountain, however, was the novel. His works garnered an astonishing number and variety of awards, including National Book Awards, Critic’s Circle Awards, PEN/Faulkner Awards, and the Pulitzer Prize. He had lifetime achievement awards from the US and other countries. Famously or notoriously, he was considered universally the missing man on the list of Nobel Prizes for Literature.
It is important that the reader not read one or two Roth books and draw conclusions about Roth personally or professionally. He himself regretted beginning his career with Portnoy’s Complaint as his first novel. Over his career, his range is astonishing, from wicked humor to perceptive satire to serious analyses of the American heart and soul to Kafkaesque dismantling of reality to heartfelt explorations of love and loss. He could do anything with his talent, and he did.
Other Men's Daughters [introduction by Philip Roth]
Other Men's Daughters [introduction by Philip Roth]
“Until the day of Merriwether’s departure from the house—a month after his divorce—the Merriwether family looked like an ideally tranquil one” we read on the first page of Other Men’s Daughters. It is the late 1960s, and the streets of Cambridge, Massachusetts, are full of long-haired hippies decked out in colorful garb, but Dr. Robert Merriwether, who teaches at Harvard and has been married for a good long time, hardly takes note. Learned, curious, thoughtful, and a creature of habit, Merriwether is anything but an impulsive man, and yet over the summer, while Sarah, his wife, is away on vacation, he meets a summer student, Cynthia Ryder, and before long the two have fallen into bed and in love. Richard Stern’s novel is an elegant and unnerving examination of just how cold and destructive a thing love, “the origin of so much story and disorder,” can be.