Philip Roth
Philip Roth (March 19, 1933 - May 22, 2018), born in and lastingly attached to Newark, New Jersy, was one of America’s premier writers of the 20th and the early 21st Centuries. He wrote some short stories, some autobiographical pieces, some essays, and he was generous with introductions and prefaces of other writers’ works. Roth’s towering legacy, his irrepressible creative fountain, however, was the novel. His works garnered an astonishing number and variety of awards, including National Book Awards, Critic’s Circle Awards, PEN/Faulkner Awards, and the Pulitzer Prize. He had lifetime achievement awards from the US and other countries. Famously or notoriously, he was considered universally the missing man on the list of Nobel Prizes for Literature.
It is important that the reader not read one or two Roth books and draw conclusions about Roth personally or professionally. He himself regretted beginning his career with Portnoy’s Complaint as his first novel. Over his career, his range is astonishing, from wicked humor to perceptive satire to serious analyses of the American heart and soul to Kafkaesque dismantling of reality to heartfelt explorations of love and loss. He could do anything with his talent, and he did.
Why Write? Collected Nonfiction 1960-2013
Why Write? Collected Nonfiction 1960-2013
Tracing the full span of Philip Roth’s career—from the early controversies surrounding the stories in Goodbye, Columbus to his recent assessments of his work and corrections of the record—Why Write? shows at every turn the vigor, acuity, and persuasive power of Roth’s brilliant nonfiction. As a retrospective summation of his essays and interviews, it is essential reading in tandem with Roth’s novels, both for the discussions of his own books and as a record of his profound engagement with other writers: Kafka, Bellow, Malamud, and the leading figures of Cold War–era Czechoslovakia among them.
Divided into three sections, Why Write? begins with Roth’s selection of the indispensable core of Reading Myself and Others, first published in 1975 and expanded for a second edition ten years later. It opens with the remarkable hybrid story-essay, “‘I Always Wanted You to Admire My Fasting’; or, Looking at Kafka,” a critical evaluation that yields to a fictional imagination of Kafka as young Roth’s Hebrew School teacher in 1940s Newark, the first of the provocative forays into speculative alternative realities that would take shape in novels like The Ghost Writer and The Plot Against America. In the essays and interviews given in the wake of the explosive release of Portnoy’s Complaint, Roth clarifies how he sought to “raise obscenity to the level of a subject,” provides sharp-edged insights into an America wracked by political turmoil and sexual revolution, and defends the imaginative freedom of writers and readers alike.
The volume’s second section presents in its entirety the 2001 book Shop Talk, a series of conversations with writers such as Aharon Appelfeld, Primo Levi, and Edna O’Brien, as well as essays on Malamud, Bellow, and the artist Philip Guston. The collection highlights Roth’s skill as an astute literary interlocutor, engaged with writers whose traditions, assumptions, and experience can differ markedly from those of the American world of his own fiction.
The concluding section, “Explanations,” comprises fourteen later pieces collected here for the first time, six of them never before published. Among the essays gathered are “My Uchronia,” an account of the genesis of The Plot Against America, a novel grounded in the insight that “all the assurances are provisional, even here in a two-hundred-year-old democracy”; “Errata,” the unabridged version of the “Open Letter to Wikipedia” published on The New Yorker’s website in 2012 to counter the online encyclopedia’s egregious errors about his life and work; “Forty-Five Years On,” Roth’s absolute last word on Portnoy; and “The Ruthless Intimacy of Fiction,” a speech delivered on the occasion of his eightieth birthday that evokes the Newark of Roth’s childhood and examines the “refractory way of living” of Sabbath’s Theater’s Mickey Sabbath. Also included are two lengthy interviews given after Roth’s retirement, which take stock of a lifetime of work: “Morning after morning for fifty years, I faced the next page defenseless and unprepared. Writing for me was a feat of self-preservation.”
This Library of America series edition is printed on acid-free paper and features Smyth-sewn binding, a full cloth cover, and a ribbon marker.