Philip Roth
Philip Roth (March 19, 1933 - May 22, 2018), born in and lastingly attached to Newark, New Jersy, was one of America’s premier writers of the 20th and the early 21st Centuries. He wrote some short stories, some autobiographical pieces, some essays, and he was generous with introductions and prefaces of other writers’ works. Roth’s towering legacy, his irrepressible creative fountain, however, was the novel. His works garnered an astonishing number and variety of awards, including National Book Awards, Critic’s Circle Awards, PEN/Faulkner Awards, and the Pulitzer Prize. He had lifetime achievement awards from the US and other countries. Famously or notoriously, he was considered universally the missing man on the list of Nobel Prizes for Literature.
It is important that the reader not read one or two Roth books and draw conclusions about Roth personally or professionally. He himself regretted beginning his career with Portnoy’s Complaint as his first novel. Over his career, his range is astonishing, from wicked humor to perceptive satire to serious analyses of the American heart and soul to Kafkaesque dismantling of reality to heartfelt explorations of love and loss. He could do anything with his talent, and he did.
Zuckerman Bound: A Trilogy and Epilogue 1979-1985
Zuckerman Bound: A Trilogy and Epilogue 1979-1985
This fourth volume of The Library of America’s definitive edition of Philip Roth’s collected works presents the trilogy and epilogue that constitute Zuckerman Bound (1985), Roth’s wholly original investigation into the unforeseen consequences of art—mainly in libertarian America and then, by contrast, in Soviet-suppressed Eastern Europe—during the latter half of the twentieth century.
The Ghost Writer (1979) introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the Great Books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his literary idol, E. I. Lonoff.
Zuckerman Unbound (1981) finds him far from Lonoff’s domain—the scene is Manhattan as the sensationalizing 1960s are coming to an end. Zuckerman, in his mid-thirties, is suffering the immediate aftershock of literary celebrity. The high-minded protégé of E. I. Lonoff has become a notorious superstar.
The Anatomy Lesson (1984) takes place largely in the hospital isolation ward that Zuckerman has made of his Upper East Side apartment. It is Watergate time, 1973, and to Zuckerman the only other American who seems to be in as much trouble as himself is Richard Nixon. Zuckerman, at forty, is beset with crippling and unexplained physical pain; he wonders if the cause might not be his own inflammatory work.
In The Prague Orgy (1985), entries from Zuckerman’s notebooks describing his 1976 sojourn among the outcast artists of Soviet-occupied Czechoslovakia reveal the major theme of Zuckerman Bound from a new perspective that provides the stinging conclusion to this richly ironic and intricately designed magnum opus. As an added feature, this volume publishes for the first time Roth’s unproduced television screenplay for The Prague Orgy, featuring new characters and scenes that do not appear in the novella.
Ross Miller, volume editor, is Professor of English and Comparative Literature at the University of Connecticut. He is the author of American Apocalypse: The Great Fire and the Myth of Chicago and Here’s the Deal: The Buying and Selling of a Great American City.
This Library of America series edition is printed on acid-free paper and features Smyth-sewn binding, a full cloth cover, and a ribbon marker.