Revived Writers
Fairly often a well-deserving writer is rediscovered by readers, publishers, or reviewers/critics. The neglected books are brought back into print, retrospective appreciations are written (Dawn Powell) or a sudden rush of affection overwhelms the writer late in life (Barbara Pym). Sometimes the writer’s works are whacked with the magic wand of Hollywood, and the writer becomes much more famous and widely read than in his or her mortality (Philip K. Dick).
Recently I was struck by the handsome editions that a British publisher, Hodder Books, brought out for Pamela Hansford Johnson’s novels. Johnson (1912-1981, CBE, FRSL) was a prolific and multi-talented writer who was the guest of many universities in the US and celebrated in her day. Her second husband, C.P. Snow, had an even higher profile as a writer bridging the sciences and the humanities and wrote successfully and abundantly, including an epic 11-volume series, Strangers and Brothers. Johnson is now back in print. Snow is out of print entirely in the US. Publishers — and booksellers — are mysterious in their giving and taking away. It pays to stay alert to what is revived.
On this page, beginning in the pandemic days of Spring 2020, we will hunt around for revived fiction and its writers. We begin with Johnson. I look forward to listing other authors I carry: Nancy Mitford, Georgette Heyer, Eugenia Price, Sylvia Townsend Warner, and others. (Why are all the names I am thinking of women writers? No idea.)
Enjoy! Experiment! And come back to check on new listings.
Summer Will Show
Summer Will Show
Sophia Willoughby, a young Englishwoman from an aristocratic family and a person of strong opinions and even stronger will, has packed her cheating husband off to Paris. He can have his tawdry mistress. She intends to devote herself to the serious business of raising her two children in proper Tory fashion.
Then tragedy strikes: the children die, and Sophia, in despair, finds her way to Paris, arriving just in time for the revolution of 1848. Before long she has formed the unlikeliest of close relations with Minna, her husband’s sometime mistress, whose dramatic recitations, based on her hair-raising childhood in czarist Russia, electrify audiences in drawing rooms and on the street alike. Minna, “magnanimous and unscrupulous, fickle, ardent, and interfering,” leads Sophia on a wild adventure through bohemian and revolutionary Paris, in a story that reaches an unforgettable conclusion amidst the bullets, bloodshed, and hope of the barricades.
Sylvia Townsend Warner was one of the most original and inventive of twentieth-century English novelists. At once an adventure story, a love story, and a novel of ideas, Summer Will Show is a brilliant reimagining of the possibilities of historical fiction.