Revived Writers
Fairly often a well-deserving writer is rediscovered by readers, publishers, or reviewers/critics. The neglected books are brought back into print, retrospective appreciations are written (Dawn Powell) or a sudden rush of affection overwhelms the writer late in life (Barbara Pym). Sometimes the writer’s works are whacked with the magic wand of Hollywood, and the writer becomes much more famous and widely read than in his or her mortality (Philip K. Dick).
Recently I was struck by the handsome editions that a British publisher, Hodder Books, brought out for Pamela Hansford Johnson’s novels. Johnson (1912-1981, CBE, FRSL) was a prolific and multi-talented writer who was the guest of many universities in the US and celebrated in her day. Her second husband, C.P. Snow, had an even higher profile as a writer bridging the sciences and the humanities and wrote successfully and abundantly, including an epic 11-volume series, Strangers and Brothers. Johnson is now back in print. Snow is out of print entirely in the US. Publishers — and booksellers — are mysterious in their giving and taking away. It pays to stay alert to what is revived.
On this page, beginning in the pandemic days of Spring 2020, we will hunt around for revived fiction and its writers. We begin with Johnson. I look forward to listing other authors I carry: Nancy Mitford, Georgette Heyer, Eugenia Price, Sylvia Townsend Warner, and others. (Why are all the names I am thinking of women writers? No idea.)
Enjoy! Experiment! And come back to check on new listings.
The Ancient Shore: Dispatches from Naples
The Ancient Shore: Dispatches from Naples
Born in Australia, Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city. The Ancient Shore collects the best of Hazzard’s writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present.
With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard’s concern is primarily with the Naples of our own time—often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it.
Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted.
“Much larger than all its parts, this book does full justice to a place, and a time, where ‘nothing was pristine, except the light.’”—Bookforum
“Deep in the spell of Italy, Hazzard parses the difference between visiting and living and working in a foreign country. She writes with enormous eloquence and passion of the beauty of getting lost in a place.”—Susan Slater Reynolds, Los Angeles Times