Revived Writers
Fairly often a well-deserving writer is rediscovered by readers, publishers, or reviewers/critics. The neglected books are brought back into print, retrospective appreciations are written (Dawn Powell) or a sudden rush of affection overwhelms the writer late in life (Barbara Pym). Sometimes the writer’s works are whacked with the magic wand of Hollywood, and the writer becomes much more famous and widely read than in his or her mortality (Philip K. Dick).
Recently I was struck by the handsome editions that a British publisher, Hodder Books, brought out for Pamela Hansford Johnson’s novels. Johnson (1912-1981, CBE, FRSL) was a prolific and multi-talented writer who was the guest of many universities in the US and celebrated in her day. Her second husband, C.P. Snow, had an even higher profile as a writer bridging the sciences and the humanities and wrote successfully and abundantly, including an epic 11-volume series, Strangers and Brothers. Johnson is now back in print. Snow is out of print entirely in the US. Publishers — and booksellers — are mysterious in their giving and taking away. It pays to stay alert to what is revived.
On this page, beginning in the pandemic days of Spring 2020, we will hunt around for revived fiction and its writers. We begin with Johnson. I look forward to listing other authors I carry: Nancy Mitford, Georgette Heyer, Eugenia Price, Sylvia Townsend Warner, and others. (Why are all the names I am thinking of women writers? No idea.)
Enjoy! Experiment! And come back to check on new listings.
The Woman Who Borrowed Memories
The Woman Who Borrowed Memories
An NYRB Classics Original
Tove Jansson was a master of brevity, unfolding worlds at a touch. Her art flourished in small settings, as can be seen in her bestselling novel The Summer Book and in her internationally celebrated cartoon strips and books about the Moomins. It is only natural, then, that throughout her life she turned again and again to the short story. The Woman Who Borrowed Memories is the first extensive selection of Jansson’s stories to appear in English.
Many of the stories collected here are pure Jansson, touching on island solitude and the dangerous pull of the artistic impulse: in “The Squirrel” the equanimity of the only inhabitant of a remote island is thrown by a visitor, in “The Summer Child” an unlovable boy is marooned along with his lively host family, in “The Cartoonist” an artist takes over a comic strip that has run for decades, and in “The Doll’s House” a man’s hobby threatens to overwhelm his life. Others explore unexpected territory: “Shopping” has a post-apocalyptic setting, “The Locomotive” centers on a railway-obsessed loner with murderous fantasies, and “The Woman Who Borrowed Memories” presents a case of disturbing transference. Unsentimental, yet always humane, Jansson’s stories complement and enlarge our understanding of a singular figure in world literature.