ROSS MACDONALD and MARGARET MILLAR
Ross Macdonald was the pseudonym of Kenneth Millar (December 13, 1915 - July 11, 1983), California-born, Canada-raised, eventually returning to California to work hard and slowly to become a preeminent mystery/detective novelist so good, so accomplished that he is now considered a significant voice in 20th Century American literature. Although influenced by the great detective writers in the generation before him, Dashiell Hammett and Raymond Chandler, Macdonald forged a style of his own out of the postwar pulps. His awareness and sophisticated understanding of literary history and tropes (he had a doctorate in literature) and his interest in psychology provided a firm foundation for his use of the detective form to investigate human relationships, conflicts, and tragedies. He wrote stand-alone novels (we have three here), but his great and lasting creation was Lew Archer, a man whose perspective and voice sustains the reader through 18 novels and many short stories. Macdonald is also a keen observer of Californian (and American) culture, documenting in good style a time and place and people.
His wife, Margaret Millar (1915-1994), wrote many fine novels of psychological suspense, and I include her work here as a measure of their marriage, their partnership, and their mutual influence. Of interest also is Macdonald’s deep friendship with Eudora Welty, another master of a region and a people. A volume of their letters is included here.
Collected Millar: The Tom Aragon Novels: Ask for Me Tomorrow; The Murder of Miranda; Mermaid
Collected Millar: The Tom Aragon Novels: Ask for Me Tomorrow; The Murder of Miranda; Mermaid
Fast talking Tom Aragon, a Mexican-American lawyer turned private investigator, finds himself investigating a trio of missing persons’ cases in the always bizarre California hills.
One of Millar’s few reoccurring characters and her only foray into the tradition of Chandler and Hammett, Tom Aragon, ranks among her best creations. A sarcastic but talented young lawyer with a few rough edges, Aragon finds himself navigating one entitled nest of vipers after another, not to mention racial prejudice, in three of Millar’s most unusual stories.
Ask for Me Tomorrow (1976)
Gilda Decker needs a new bag, what with her second husband being suddenly crippled and her ex-husband hiding himself and his money somewhere in the hinterlands of Mexico. Gilda's recently retained lawyer, Tom Aragon, Mexican himself, is the best man for the job. But the deeper Aragon digs into her ex-husband's past the more dangerous his job becomes.
The Murder of Miranda (1979)
Miranda Shaw and Grady Keaton should have made for a run-of-the-mill scandal at the prestigious Penguin Beach Club. Shaw, a recently widowed woman of fifty, was seen leaving the club with Keaton, a ruggedly handsome lifeguard half her age. When Miranda and Keaton go missing, the widower’s lawyer sends his handiest man to find out where they’ve wandered off to. The clues come one stranger than the next for Tom Aragon in this often-hilarious novel of folly among the California elite.
Mermaid (1982)
Cleo Jasper is as beautiful as she is simple-minded—and now, she’s missing. Her doting brother will stop at nothing to find his defenseless sister, who fears the worst. Enter Tom Aragon, who is retained to track her down and return her to safety. Aragon soon realizes that he has once again found himself in over his head when Cleo's friend turns up dead amidst a sea of somewhat dubious suicide notes.