ROSS MACDONALD and MARGARET MILLAR
Ross Macdonald was the pseudonym of Kenneth Millar (December 13, 1915 - July 11, 1983), California-born, Canada-raised, eventually returning to California to work hard and slowly to become a preeminent mystery/detective novelist so good, so accomplished that he is now considered a significant voice in 20th Century American literature. Although influenced by the great detective writers in the generation before him, Dashiell Hammett and Raymond Chandler, Macdonald forged a style of his own out of the postwar pulps. His awareness and sophisticated understanding of literary history and tropes (he had a doctorate in literature) and his interest in psychology provided a firm foundation for his use of the detective form to investigate human relationships, conflicts, and tragedies. He wrote stand-alone novels (we have three here), but his great and lasting creation was Lew Archer, a man whose perspective and voice sustains the reader through 18 novels and many short stories. Macdonald is also a keen observer of Californian (and American) culture, documenting in good style a time and place and people.
His wife, Margaret Millar (1915-1994), wrote many fine novels of psychological suspense, and I include her work here as a measure of their marriage, their partnership, and their mutual influence. Of interest also is Macdonald’s deep friendship with Eudora Welty, another master of a region and a people. A volume of their letters is included here.
Four Novels of the 1950s: The Way Some People Die | The Barbarous Coast | The Doomsters | The Galton Case
Four Novels of the 1950s: The Way Some People Die | The Barbarous Coast | The Doomsters | The Galton Case
Revered by such contemporary masters as Sue Grafton, George Pelecanos, and James Ellroy, praised by Eudora Welty as “a more serious and complex writer than Chandler and Hammett ever were,” Ross Macdonald (the pseudonym of Kenneth Millar) brought to the crime novel a new realism and psychological depth and a unique gift for intricately involving mystery narratives. For his centennial, The Library of America inaugurates its Macdonald edition with four classic novels from the 1950s, all featuring his incomparable protagonist, private investigator Lew Archer.
Set against the background of a glittering yet darkly enigmatic Southern California, Macdonald’s books are both unsurpassed entertainments and emotionally powerful evocations of an outwardly prosperous, inwardly turbulent America. Macdonald mastered the hard-boiled detective form early on and brought to it a prose style of extraordinary beauty. The four novels collected in this volume reveal him broadening the genre into an intensely personal means of expression, transforming the tragedies and dislocations of his own life into haunting fiction. “My interest,” he wrote to his publisher, “is the exploration of lives.”
In The Way Some People Die, Lew Archer embarks on a missing persons case that starts at a house in Santa Monica “within earshot of the coast highway and rifleshot of the sea,” and takes him on a violent and twisted journey through Los Angeles high and low. The Barbarous Coastexposes a world of hidden crime and corruption in the movie business, as Archer intrudes on the well-protected secrets of a studio head. A gripping and tightly knit drama of madness and self-destruction, The Doomsters signaled a breakthrough in the Archer novels with its exploration of “an alternating current of guilt” within a family, a theme to which Macdonald would often return. The Galton Case, one of the standout masterpieces of the detective form, is a mythically charged and deeply personal book that traces the calamitous consequences of a young man’s claim to be the lost heir to a fortune. For Macdonald The Galton Casemarked a turning point in his career, the realization of his quest to create fiction from “some of the more complicated facts of my experience.”
As a special feature, this volume includes five important statements—among them the famous essay “Writing The Galton Case”—in which Macdonald reveals the autobiographical background of his books and his understanding of his own contribution to the evolving genre of detective fiction.
Tom Nolan, editor, is the author of Ross Macdonald: A Biography, editor of The Archer Files, and co-editor of Meanwhile There Are Letters: The Correspondence of Eudora Welty and Ross Macdonald. He has been crime fiction reviewer for The Wall Street Journal since 1990.
This Library of America series edition is printed on acid-free paper and features Smyth-sewn binding, a full cloth cover, and a ribbon marker.