ROSS MACDONALD and MARGARET MILLAR
Ross Macdonald was the pseudonym of Kenneth Millar (December 13, 1915 - July 11, 1983), California-born, Canada-raised, eventually returning to California to work hard and slowly to become a preeminent mystery/detective novelist so good, so accomplished that he is now considered a significant voice in 20th Century American literature. Although influenced by the great detective writers in the generation before him, Dashiell Hammett and Raymond Chandler, Macdonald forged a style of his own out of the postwar pulps. His awareness and sophisticated understanding of literary history and tropes (he had a doctorate in literature) and his interest in psychology provided a firm foundation for his use of the detective form to investigate human relationships, conflicts, and tragedies. He wrote stand-alone novels (we have three here), but his great and lasting creation was Lew Archer, a man whose perspective and voice sustains the reader through 18 novels and many short stories. Macdonald is also a keen observer of Californian (and American) culture, documenting in good style a time and place and people.
His wife, Margaret Millar (1915-1994), wrote many fine novels of psychological suspense, and I include her work here as a measure of their marriage, their partnership, and their mutual influence. Of interest also is Macdonald’s deep friendship with Eudora Welty, another master of a region and a people. A volume of their letters is included here.
The Wycherly Woman
The Wycherly Woman
Phoebe Wycherly was missing two months before her wealthy father hired Archer to find her. That was plenty of time for a young girl who wanted to disappear to do so thoroughly–or for someone to make her disappear. Before he can find the Wycherly girl, Archer has to deal with the Wycherly woman, Phoebe’s mother, an eerily unmaternal blonde who keeps too many residences, has too many secrets, and leaves too many corpses in her wake.