Russia and its World
Russia in all its aspects has always exerted a pull on me. Its history, art, music, food, landscapes, dress in all varied ethnic glory, and, above all, its literature have a special access to my attention. A major challenge is Russia’s colossal size and diversity of geography. Another continual surprise is the number of its distinctive peoples, each with unique folkways and histories. Russia has had some epic totalitarian regimes over its long history — but it also has been the home of some of the world’s greatest, most creative, and most influential anarchist philosophers. Russia is big enough and complex enough to handle all sorts of contradictions and paradoxes — and to claim them all proudly (and fatalistically, a classic Russian trait).
Over the years I have noticed that my store has become home to a great range of literature, fiction and nonfiction, of the Russian soul and mind and heart. I share it here and may update it as often as possible.
A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life
A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life
NEW YORK TIMES BESTSELLER • From the Booker Prize–winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves—and our world today.
“One of the most accurate and beautiful depictions of what it is like to be inside the mind of a writer that I’ve ever read.”—Parul Sehgal, The New York Times
For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.
In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity.
A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.
George Saunders is the author of nine books, including the novel Lincoln in the Bardo, which won the Man Booker Prize, and the story collections Pastoralia and Tenth of December, which was a finalist for the National Book Award. He has received fellowships from the Lannan Foundation, the American Academy of Arts and Letters, and the Guggenheim Foundation. In 2006 he was awarded a MacArthur Fellowship. In 2013 he was awarded the PEN/Malamud Award for Excellence in Short Fiction and was included in Time’s list of the one hundred most influential people in the world. He teaches in the creative writing program at Syracuse University.