Russia and its World
Russia in all its aspects has always exerted a pull on me. Its history, art, music, food, landscapes, dress in all varied ethnic glory, and, above all, its literature have a special access to my attention. A major challenge is Russia’s colossal size and diversity of geography. Another continual surprise is the number of its distinctive peoples, each with unique folkways and histories. Russia has had some epic totalitarian regimes over its long history — but it also has been the home of some of the world’s greatest, most creative, and most influential anarchist philosophers. Russia is big enough and complex enough to handle all sorts of contradictions and paradoxes — and to claim them all proudly (and fatalistically, a classic Russian trait).
Over the years I have noticed that my store has become home to a great range of literature, fiction and nonfiction, of the Russian soul and mind and heart. I share it here and may update it as often as possible.
Brisbane
Brisbane
“This novel – which is ostensibly about music – digs deep into the role the Ukrainian and Russian languages play in people’s lives and through language manifests the visceral connection between these sibling cultures.” —Marian Schwartz
From the author of the international bestseller, Laurus, comes a richly layered, universal coming-of-age story in which a musical prodigy robbed of his talent by an incurable disease attempts to overcome his mortality. Through well-wrought vignettes and dialogue in the original Ukrainian, Vodolazkin shows us the ways in which these identities are inextricably linked and expressed through the push and pull of loyalties big and small.
After Gleb Yanovsky, a celebrated guitarist, is diagnosed with Parkinson’s disease at age fifty, he permits a writer, Sergei Nesterov, to pen his biography. For years, they meet regularly as Gleb recounts the life he’s lived thus far: a difficult childhood in Kyiv, his formative musical studies in St. Petersburg, and his later years in Munich, where he lives with his wife and meets a thirteen-year-old virtuoso whom he embraces as his own daughter. In a mischievous and tender account, Gleb recalls a personal story of a lifetime quest for meaning, and how the burden of success changes with age.
Expanding the literary universe spun in his earlier novels, Vodolazkin explores music and fame, heritage and belonging, time and memory. In a dueling interplay between Gleb’s first-person recollections and Nesterov’s interpretation, the carefully knit stitches unravel into a puzzle: Whose story is it – the subject’s or the writer’s? Are art and love really no match for death? Is memory a reliable narrator? In Brisbane, the city of our dreams, as in music, Gleb hopes he’s found a path to eternity – and a way to stop the clock.
Eugene Vodolazkin was born in Kyiv, Ukraine. His second novel, Laurus, won both of Russia’s major literary awards, the National Big Book Award and the Yasnaya Polyana Book Award, and was shortlisted for the National Bestseller Prize and the Russian Booker Prize. His debut novel, Solovyov and Larionov, was shortlisted for the Andrei Bely Prize and the Big Book Award. A third critically acclaimed novel, The Aviator, has also been translated into English. His novel Brisbane was translated from the Russian and Ukrainian by Marian Schwartz. Vodolazkin was born in Kiev in 1964 and has worked in the department of Old Russian Literature at Pushkin House since 1990. He is an expert in medieval history and folklore and has numerous academic books and articles to his name. The author lives with his family in St. Petersburg, Russia.