Russia and its World
Russia in all its aspects has always exerted a pull on me. Its history, art, music, food, landscapes, dress in all varied ethnic glory, and, above all, its literature have a special access to my attention. A major challenge is Russia’s colossal size and diversity of geography. Another continual surprise is the number of its distinctive peoples, each with unique folkways and histories. Russia has had some epic totalitarian regimes over its long history — but it also has been the home of some of the world’s greatest, most creative, and most influential anarchist philosophers. Russia is big enough and complex enough to handle all sorts of contradictions and paradoxes — and to claim them all proudly (and fatalistically, a classic Russian trait).
Over the years I have noticed that my store has become home to a great range of literature, fiction and nonfiction, of the Russian soul and mind and heart. I share it here and may update it as often as possible.
Stalingrad
Stalingrad
An NYRB Classics Original
In April 1942, Hitler and Mussolini meet in Salzburg where they agree on a renewed assault on the Soviet Union. Launched in the summer, the campaign soon picks up speed, as the routed Red Army is driven back to the industrial center of Stalingrad on the banks of the Volga. In the rubble of the bombed-out city, Soviet forces dig in for a last stand.
The story told in Vasily Grossman’s Stalingrad unfolds across the length and breadth of Russia and Europe, and its characters include mothers and daughters, husbands and brothers, generals, nurses, political activists, steelworkers, and peasants, along with Hitler and other historical figures. At the heart of the novel is the Shaposhnikov family. Even as the Germans advance, the matriarch, Alexandra Vladimirovna, refuses to leave Stalingrad. Far from the front, her eldest daughter, Ludmila, is unhappily married to the Jewish physicist Viktor Shtrum. Viktor’s research may be of crucial military importance, but he is distracted by thoughts of his mother in the Ukraine, lost behind German lines.
In Stalingrad, published here for the first time in English translation, and in its celebrated sequel, Life and Fate, Grossman writes with extraordinary power and deep compassion about the disasters of war and the ruthlessness of totalitarianism, without, however, losing sight of the little things that are the daily currency of human existence or of humanity’s inextinguishable, saving attachment to nature and life. Grossman’s two-volume masterpiece can now be seen as one of the supreme accomplishments of twentieth-century literature, tender and fearless, intimate and epic.
Vasily Semyonovich Grossman was born on December 12, 1905, in Berdichev, a Ukrainian town that was home to one of Europe’s largest Jewish communities. In 1934 he published both “In the Town of Berdichev”—a short story that won the admiration of such diverse writers as Maksim Gorky, Mikhail Bulgakov, and Isaak Babel—and a novel, Glyukauf, about the life of the Donbass miners. During the Second World War, Grossman worked as a reporter for the army newspaper Red Star, covering nearly all of the most important battles from the defense of Moscow to the fall of Berlin. His vivid yet sober “The Hell of Treblinka” (late 1944), one of the first articles in any language about a Nazi death camp, was translated and used as testimony in the Nuremberg trials. His novel For a Just Cause(originally titled Stalingrad) was published to great acclaim in 1952 and then fiercely attacked. A new wave of purges—directed against the Jews—was about to begin; but for Stalin’s death, in March 1953, Grossman would almost certainly have been arrested himself. During the next few years Grossman, while enjoying public success, worked on his two masterpieces, neither of which was to be published in Russia until the late 1980s: Life and Fate and Everything Flows. The KGB confiscated the manuscript of Life and Fate in February 1961. Grossman was able, however, to continue working on Everything Flows, a novel even more critical of Soviet society than Life and Fate, until his last days in the hospital. He died on September 14, 1964, on the eve of the twenty-third anniversary of the massacre of the Jews of Berdichev in which his mother had died.
PRAISE
Grossman’s epic, sprawling novel from 1952 is a masterpiece of intertwined plots that cascade together in a long sequence of militaristic horror… When the bombing of Stalingrad begins, Grossman cuts between viewpoints, rewinding time over and over again. A spectacular afterword details the extent of censorship the text suffered under Stalin. As a stand-alone novel, this is both gripping and enlightening, a tour de force. When considered as a whole with Life and Fate, this diptych is one of the landmark accomplishments of 20th-century literature.”
—Publishers Weekly, starred review
Vasily Grossman is the Tolstoy of the USSR.
—Martin Amis
An extraordinary novel by war correspondent Grossman, completing, with Life and Fate, a two-volume Soviet-era rejoinder to War and Peace.......A classic of wartime literature finally available in a comprehensive English translation that will introduce new readers to a remarkable writer.
—Kirkus, starred review
Vasily Grossman was a man of unusual courage, both physically and morally. He spent longer than any other Soviet journalist in the thick of the fighting on the right bank of the Volga, in the ruins being fought over building by building and even room by room. And then, within months of the Soviet victory at Stalingrad, he was writing some of the first articles and stories published in any language about the Shoah.
—Robert Chandler
A half century after his death, Vasily Grossman’s fiction still provides harrowing insight into the legacy of Stalinism, and the historical trauma that continues to fuel ethnic tensions within Ukraine.
—NPR Books