The Brontë Sisters
It is striking to contemplate that an awesome, singular, irreproducible wave of literature that would sweep the world for two centuries began in a parsonage in remote Yorkshire, England. The Brontë sisters and, to a lesser subsidiary extent, their older brother Branwell worked hard and professionally at making childhood dreams and fantasies become real in the fields of fiction and poetry.
Charlotte (1816-1855), Emily (1818-1848) , and Anne (1820-1849) are responsible for seven finished novels and a fair scattering of poetry. Each novel has grown in critical estimation with the passing years. Each novel is acknowledged by both fellow writers and generations of critics as strange, powerful, textured, dense, and simultaneously of their time and ahead of their time. Each sister has her distinctive voice, each her reader-partisans, and yet the feeling of a family of voices and thoughts and concerns is strong.
A legacy of influence is mysteriously vague in later literature — perhaps Thomas Hardy? But just say the phrase “the madwoman in the attic” or breathe one name, “Cathy . . .” — and you have the staying power of their creations.
I have included some associated fiction, including a mystery series with the sisters as the detectives and a notable Young Adult novel. I will be alert to adding other material as I discover it. Enjoy!
Agnes Grey [Oxford World's Classics edition]
Agnes Grey [Oxford World's Classics edition]
Anne Brontë's first novel, Agnes Grey, combines an astute dissection of middle-class social behavior and class attitudes with a wonderful study of Victorian responses to young children which has parallels with debates about education that continue to this day. In writing the novel, Brontë drew on her own experiences, and one can trace in the work many of the trials of the Victorian governess, often stranded far from home, and treated with little respect by her employers, yet expected to control and educate her young charges. Agnes Grey looks at childhood from nursery to adolescence, and it also charts the frustrations of romantic love, as Agnes starts to nurse warmer feelings towards the local curate, Mr. Weston. Sally Shuttleworth's fascinating introduction considers the book's fictional and narrative qualities, its relationship with Victorian child-rearing and the responsibilities of parents, and the changing attitudes to the book influenced by modern concerns for children's rights. The new edition includes a revised and updated bibliography as well as revised notes drawing on the latest critical material.