THE LIBRARY OF AMERICA
The Library of America, a nonprofit publisher and educational outreach entity, was founded in 1979 with grants from the Ford Foundation and the National Endowment for the Humanities. Although its mission was a well-grounded and no-nonsense business approach to publishing, it essentially was fulfilling a long-held dream by the great critic Edmund Wilson and others. The United States of America, they felt, ought to have a publications series of high standards and high quality of production for its national literature, and it ought to reflect the diversity and traditions of all of its writing.
The first books appeared in 1982, when I first began selling new books in an independent book store here in Carlisle. (The founding of Whistlestop Bookshop was three years away.) I still have my copies of Hawthorne, Melville, and Whitman. I won’t tell you how many of the 300+ to date I have acquired, but I am happy to say I never regretted one. The books are remarkably beautiful and efficient and scholarly and finely-made. They are sometimes the only respectable edition available (beware of photo-offset print-on-demand editions!). The accompanying chronologies and notes and textual discussions of every volume are a joy and an education. I cannot praise them too highly.
This listing is what I carry in the store. If you would like other volumes, send me an e-mail or call the store. Enjoy browsing, buying, and owning landmark definitive editions of great writers or great American subjects.
The listings are alphabetical by author except for new or recent anthologies at the top. Older anthologies are at the bottom of the page.
All James Baldwin titles and Ursula K. Le Guin titles are on the respective pages of the authors.
American Science Fiction: Five Classic Novels 1956–1958
American Science Fiction: Five Classic Novels 1956–1958
This second of two volumes surveying the best science fiction novels of the 1950s presents works by five of the field’s most admired and influential practitioners. In Robert A. Heinlein’s Double Star (1956), an actor forced to impersonate a twenty-second-century political leader intent on forging bonds between Earthlings and Martians learns hard lessons about the nature of power. Alfred Bester’s The Stars My Destination (1956), which Neil Gaiman has called “the perfect cyberpunk novel,” is a classic revenge tale set in a nightmarish future dominated by corporations.
In James Blish’s A Case of Conscience (1958), space voyagers on the remote planet Lithia find themselves challenged by the values of an alien civilization. Algis Budrys’s Who? (1958) unleashes Cold War anxieties about technology and human identity with its story of a scientist rebuilt beyond recognition after a devastating accident. Set in “the Place,” a bar and bordello in the backwater of time’s stream, Fritz Leiber’s The Big Time (1958) explores the implications of the “Change War,” an endless cosmic struggle in which shadowy antagonists dart in and out of history in a contest to control destiny.
The range of styles—by turns adventurous, satiric, incisive—is as varied as the themes addressed by these novels, all now acknowledged as American classics. Together they mark an explosively entertaining era in modern fiction.