THE LIBRARY OF AMERICA
The Library of America, a nonprofit publisher and educational outreach entity, was founded in 1979 with grants from the Ford Foundation and the National Endowment for the Humanities. Although its mission was a well-grounded and no-nonsense business approach to publishing, it essentially was fulfilling a long-held dream by the great critic Edmund Wilson and others. The United States of America, they felt, ought to have a publications series of high standards and high quality of production for its national literature, and it ought to reflect the diversity and traditions of all of its writing.
The first books appeared in 1982, when I first began selling new books in an independent book store here in Carlisle. (The founding of Whistlestop Bookshop was three years away.) I still have my copies of Hawthorne, Melville, and Whitman. I won’t tell you how many of the 300+ to date I have acquired, but I am happy to say I never regretted one. The books are remarkably beautiful and efficient and scholarly and finely-made. They are sometimes the only respectable edition available (beware of photo-offset print-on-demand editions!). The accompanying chronologies and notes and textual discussions of every volume are a joy and an education. I cannot praise them too highly.
This listing is what I carry in the store. If you would like other volumes, send me an e-mail or call the store. Enjoy browsing, buying, and owning landmark definitive editions of great writers or great American subjects.
The listings are alphabetical by author except for new or recent anthologies at the top. Older anthologies are at the bottom of the page.
All James Baldwin titles and Ursula K. Le Guin titles are on the respective pages of the authors.
Elmore Leonard: Four Novels of the 1970s
Elmore Leonard: Four Novels of the 1970s
Blending gritty toughness and unpredictable violence with wild humor and an uncanny ear for the rhythms of ordinary speech, Elmore Leonard was the most widely and enthusiastically admired crime novelist of his time. His genius for scene and dialogue led Time magazine to describe him as “a Dickens of Detroit,” and Newsweek called him “the best American writer of crime alive, possibly the best we’ve ever had.” Now The Library of America inaugurates a three-volume edition of Leonard’s greatest work, prepared in consultation with the author shortly before his death and edited by his long-time researcher Gregg Sutter.
Leonard began his career in the 1950s as a writer of pulp westerns, but switched genres at the end of the 1960s and slowly but steadily achieved recognition as a fantastically inventive storyteller and a one-of-a-kind stylist. For all the dazzling complications of his plots—often involving brilliantly elaborate scams, of which he was a master—it was the people who mattered most in his books, people from every walk of life and every social byway.
The four novels collected in this first volume re-invented the American crime novel and cemented Leonard’s reputation. All are set in his hometown Detroit, a hard-working “shot and a beer” kind of place whose lawless underside becomes a stage for an unforgettable cast of rogues, con artists, and psychopaths. Fifty-Two Pickup (1974), fast and sharply written, is an insidiously brutal book about an adulterous businessman who runs afoul of a crew of murderous blackmailers. Swag (1976) finds Leonard moving for the first time into the more comic mode that would become his signature, as he charts the small-time criminal careers of an amiable ex-con and an ambitious car salesman who share a bachelor pad and pursue their hedonistic dream of the good life through a string of armed robberies. Unknown Man No. 89 (1977) spins a complex web of crisscrossing rip-offs and con games, with process server Jack Ryan, a typically laid-back Leonard protagonist, caught in the middle. In The Switch (1978), one of Leonard’s funniest books, Mickey Dawson, a discontented housewife held for ransom, manages to turn the tables on her kidnappers while exacting overdue revenge on her scheming husband.
This volume also contains a newly researched chronology of Elmore Leonard’s life, drawing on materials in his personal archive, and detailed annotations, which include as a special bonus a scene from the typescript for Swag that did not appear in the published book.