THE LIBRARY OF AMERICA
The Library of America, a nonprofit publisher and educational outreach entity, was founded in 1979 with grants from the Ford Foundation and the National Endowment for the Humanities. Although its mission was a well-grounded and no-nonsense business approach to publishing, it essentially was fulfilling a long-held dream by the great critic Edmund Wilson and others. The United States of America, they felt, ought to have a publications series of high standards and high quality of production for its national literature, and it ought to reflect the diversity and traditions of all of its writing.
The first books appeared in 1982, when I first began selling new books in an independent book store here in Carlisle. (The founding of Whistlestop Bookshop was three years away.) I still have my copies of Hawthorne, Melville, and Whitman. I won’t tell you how many of the 300+ to date I have acquired, but I am happy to say I never regretted one. The books are remarkably beautiful and efficient and scholarly and finely-made. They are sometimes the only respectable edition available (beware of photo-offset print-on-demand editions!). The accompanying chronologies and notes and textual discussions of every volume are a joy and an education. I cannot praise them too highly.
This listing is what I carry in the store. If you would like other volumes, send me an e-mail or call the store. Enjoy browsing, buying, and owning landmark definitive editions of great writers or great American subjects.
The listings are alphabetical by author except for new or recent anthologies at the top. Older anthologies are at the bottom of the page.
All James Baldwin titles and Ursula K. Le Guin titles are on the respective pages of the authors.
John Updike: Novels, 1986-1990
John Updike: Novels, 1986-1990
John Updike, at the peak of his powers, concludes his unforgettable Rabbit series and reimagines Hawthorne’s Scarlet Letter for contemporary America
The latest volume in Library of America’s John Updike edition presents two essential novels by the master stylist of postwar American fiction. Roger’s Version (1986) stakes out ground that encompasses Updike’s recurring themes of sex, desire, and adultery as well as an emerging interest in the cosmic implications of contemporary scientific breakthroughs. In a dazzling refashioning of the love triangle at the heart of Hawthorne’s The Scarlet Letter, twin adulteries unfold, revealing the heightened contrasts and inequalities of Ronald Reagan’s America.
Widely hailed upon publication as a masterpiece, awarded a Pulitzer and a National Book Critics Circle prize, Rabbit at Rest (1990) wraps up the saga of Updike’s most enduring protagonist and concludes his “surpassingly eloquent elegy for his country,” in the words of Joyce Carol Oates. Now in his mid-fifties, the outwardly comfortable and complacent Harry Angstrom has settled into leisured obsolescence, dividing his time between Pennsylvania and the Valhalla Village retirement community in Florida. But alongside his golfing, junk-food consumption, and other forms of ease there loom unavoidable markers of Rabbit’s human fragility and his mortality.