THE LIBRARY OF AMERICA
The Library of America, a nonprofit publisher and educational outreach entity, was founded in 1979 with grants from the Ford Foundation and the National Endowment for the Humanities. Although its mission was a well-grounded and no-nonsense business approach to publishing, it essentially was fulfilling a long-held dream by the great critic Edmund Wilson and others. The United States of America, they felt, ought to have a publications series of high standards and high quality of production for its national literature, and it ought to reflect the diversity and traditions of all of its writing.
The first books appeared in 1982, when I first began selling new books in an independent book store here in Carlisle. (The founding of Whistlestop Bookshop was three years away.) I still have my copies of Hawthorne, Melville, and Whitman. I won’t tell you how many of the 300+ to date I have acquired, but I am happy to say I never regretted one. The books are remarkably beautiful and efficient and scholarly and finely-made. They are sometimes the only respectable edition available (beware of photo-offset print-on-demand editions!). The accompanying chronologies and notes and textual discussions of every volume are a joy and an education. I cannot praise them too highly.
This listing is what I carry in the store. If you would like other volumes, send me an e-mail or call the store. Enjoy browsing, buying, and owning landmark definitive editions of great writers or great American subjects.
The listings are alphabetical by author except for new or recent anthologies at the top. Older anthologies are at the bottom of the page.
All James Baldwin titles and Ursula K. Le Guin titles are on the respective pages of the authors.
Maxine Hong Kingston: The Woman Warrior, China Men, Tripmaster Monkey: His Fake Book, Other Writings
Maxine Hong Kingston: The Woman Warrior, China Men, Tripmaster Monkey: His Fake Book, Other Writings
The largest and most comprehensive edition of our foremost Asian American writer: three classic books and additional writings, many rare, that together offer a vivid and searching portrait of immigrant experience and American dreams.
Maxine Hong Kingston made a stunning entrance on the American literary scene with The Woman Warrior (1976), her “memoirs of a childhood among ghosts.” Not only an account of growing up poor and Chinese American in the San Joaquin Valley, it was also an audacious feat of imaginative transformation and pathbreaking work of feminist autobiography, drawing on ancient myths and the family stories her mother brought over from China to make sense of a transformed life in America.
A companion to The Woman Warrior, which she called her “mother-book,” Kingston’s “father-book” China Men (1980) spreads out across a large geographical and historical canvas to envision the lives of her male relatives who immigrated to America. Taken together, The Woman Warrior and China Men offer a profound, kaleidoscopic, genre-defying narrative of the American experience.
Kingston’s third book, Tripmaster Monkey: His Fake Book (1989), is the wildly inventive story of Wittman Ah Sing, a Berkeley graduate student whose experience of the San Francisco Beat scene transforms his understanding of his own Chinese heritage.
Rounding out the volume are a series of essays from 1978 reflecting on her life in Hawaii, later collected as Hawai‘i One Summer, personal musings whose subjects range from the contentions of a conference of Asian American writers to home-buying, surfing, and the work of the Beat poet Lew Welch.
Also included are hard-to-find essays about the creative process and Kingston’s exasperated, insightful account of how most of the reviewers of The Woman Warrior fell prey to lazy stereotypes about the “exotic” and “inscrutable” East.