J.R.R. Tolkien
John Ronald Reuel Tolkien (1892-1973) was an English philologist who specialized in an academic pursuit of Old English, Anglo-Saxon, Germanic, and Scandinavian criss-crossings in language — and who conquered the world of popular culture by his creation of the high-fantasy epics of The Hobbit and The Lord of the Rings. He would be the first to agree that often the language created in his mind needed a people and their history to make the creation live, and he had the genius to become deeply interested in what happened to his language-speakers.
Tolkien was a veteran of trench warfare in WWI (reflected in his picture of Mordor). In less than six months he participated in many assaults and lost most of his close friends to the war. He was invalided out with trench fever, a wasting and potentially crippling consequence of the plague of lice in the works. He began a life in academia, eventually carving a distinguished career both for his teaching and his scholarship. His entire adult life, however, had an ever-present onging project with Middle-Earth and its peoples. He published The Hobbit in 1937 and finally finished tinkering with The Lord of the Rings after the war, publishing the three volumes in the early 1950s. The many volumes of his drafts and notes published posthumously by his son Christopher attest to his devotion to languages creating the world and fashioning its history.
It is easy to get lost with Tolkien, trying to track what he wrote when and how revising it affected his fantastic universe in a hundred different ways. It may be helpful when first reading him or even when going back to savor him once again to remember he wanted to find that pre-War England, to take journeys with friends, even if the journeys may be hazardous in a great and noble cause, and to return safely back to a comfortable shire.
A Secret Vice: Tolkien on Invented Languages
A Secret Vice: Tolkien on Invented Languages
First ever critical study of Tolkien’s little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin’s Game of Thrones.
J.R.R. Tolkien’s linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in ‘A Secret Vice’, ‘the making of language and mythology are related functions’.
In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938–9, ‘On Fairy-Stories’, which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled ‘A Hobby for the Home’, where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: ‘the construction of imaginary languages in full or outline for amusement’.
This talk would be edited by Christopher Tolkien for inclusion as ‘A Secret Vice’ in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien’s art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his ‘Essay on Phonetic Symbolism’, goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien’s mythology and the role of imaginary languages in fantasy literature.