J.R.R. Tolkien
John Ronald Reuel Tolkien (1892-1973) was an English philologist who specialized in an academic pursuit of Old English, Anglo-Saxon, Germanic, and Scandinavian criss-crossings in language — and who conquered the world of popular culture by his creation of the high-fantasy epics of The Hobbit and The Lord of the Rings. He would be the first to agree that often the language created in his mind needed a people and their history to make the creation live, and he had the genius to become deeply interested in what happened to his language-speakers.
Tolkien was a veteran of trench warfare in WWI (reflected in his picture of Mordor). In less than six months he participated in many assaults and lost most of his close friends to the war. He was invalided out with trench fever, a wasting and potentially crippling consequence of the plague of lice in the works. He began a life in academia, eventually carving a distinguished career both for his teaching and his scholarship. His entire adult life, however, had an ever-present onging project with Middle-Earth and its peoples. He published The Hobbit in 1937 and finally finished tinkering with The Lord of the Rings after the war, publishing the three volumes in the early 1950s. The many volumes of his drafts and notes published posthumously by his son Christopher attest to his devotion to languages creating the world and fashioning its history.
It is easy to get lost with Tolkien, trying to track what he wrote when and how revising it affected his fantastic universe in a hundred different ways. It may be helpful when first reading him or even when going back to savor him once again to remember he wanted to find that pre-War England, to take journeys with friends, even if the journeys may be hazardous in a great and noble cause, and to return safely back to a comfortable shire.
The Fall of Gondolin
The Fall of Gondolin
In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar.
Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo's desires and designs.
Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo's designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon's daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.
At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.
Following his presentation of Beren and Lúthien Christopher Tolkien has used the same 'history in sequence' mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three 'Great Tales' of the Elder Days.