Vikings & Anglo-Saxons!
We are a hardy race, being independent booksellers, so of course we are interested in those Norse entrepreneurs who made Europe a lively place in the so-called Dark Ages.
One of the standard-setting writers about medieval Scandinavia was Nobel Prize-winning Sigrid Undset. I have assembled all her works that we carry on this page, even though they technically do not involve Viking culture and history (a few are even contemporary to Undset’s own time). Other than that, she needs no defense as one of the greatest of historical novelists.
Many books have emerged on the conflicts, the tensions, and the meldings between the Vikings and the inhabitants of what would become the British isles, so I have expanded the topic to include the Picts, the Druids, and Anglo-Saxons.
Olav Audunssøn volume 2: Providence
Olav Audunssøn volume 2: Providence
As Norway moves into the fourteenth century, the kingdom continues to be racked by political turmoil and bloody family vendettas that serve as the backdrop for Sigrid Undset’s masterful story about Olav Audunssøn and Ingunn Steinfinnsdatter. Betrothed as children and raised as foster siblings, their unbridled love for each other sets in motion a series of dire events—with a legacy of betrayal, murder, and disgrace that will echo for generations. In Providence, the second of Olav Audunssøn’s four volumes, Olav settles in at his ancestral estate of Hestviken and soon brings Ingunn home as his wife. Both hope to put their troubles behind them as they start a new life together, but the crimes and shameful secrets of the past have a long reach and a tenacious hold. The consequences of sin, suspicion, and familial obligations may prove a greater threat to the pair’s happiness than even their long years of separation.
Set in a time when royalty and religion vie for power, and bloodlines and loyalties are effectively law,Providencesummons a powerful picture of Northern life in the medieval era, as the Swedish Academy noted in awarding Undset the Nobel Prize. Conveying both the intimate drama of Olav and Ingunn’s marriage and the epic sweep of their story, it is at once a moving and vivid recreation of a vanished world tainted by bloodshed and haunted by sin and retribution.
As with her classicKristin Lavransdatter, Sigrid Undset immersed herself in legal, religious, and historical writings to create inOlav Audunssønan astoundingly authentic and compelling portrait of Norwegian life in the Middle Ages. And as in her translation ofKristin Lavransdatter, Tiina Nunnally does full justice to Undset’s fluid prose. Undset’s writing style is by turns straightforward and delicately lyrical, conveying the natural world, the complex culture, and the fraught emotional territory against which Olav’s story inexorably unfolds.